Tag Archives: Interview

Carolyn Arnold – Brandon Fisher FBI Series

Title: The Brandon Fisher FBI Series

Author: Carolyn Arnold

Publisher: Hibbert & Stiles Publishing Inc.

Genre: Thriller, Police Procedural

Profilers. Serial killers. The hunt is on.

Do serial killers and the FBI fascinate you? Do you like getting inside the minds of killers, love being creeped out, sleeping with your eyes open, and feeling like you’re involved in murder investigations? Then join FBI agent and profiler Brandon Fisher and his team with the Behavioral Analysis Unit in their hunt for serial killers.

This is the perfect book series for fans of Criminal Minds, NCIS, Silence of the Lambs, Seven, Dexter, Luther, and True Crime.

Read in any order or follow the series from the beginning: Eleven, Silent Graves, The Defenseless, Blue Baby, Violated, Remnants.

Grab your copy of the first book, Eleven, for FREE on Kindle and Nook!



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Meet today’s guest, Carolyn Arnold.

CAROLYN ARNOLD is an international best-selling and award-winning author, as well as a speaker, teacher, and inspirational mentor. She has four continuing fiction series—Detective Madison Knight, Brandon Fisher FBI, McKinley Mysteries, and Matthew Connor Adventures—and has written nearly thirty books. Her genre diversity offers her readers everything from cozy to hard-boiled mysteries, and thrillers to action adventures.

Both her female detective and FBI profiler series have been praised by those in law enforcement as being accurate and entertaining, leading her to adopt the trademark: POLICE PROCEDURALS RESPECTED BY LAW ENFORCEMENT™.

Carolyn was born in a small town and enjoys spending time outdoors, but she also loves the lights of a big city. Grounded by her roots and lifted by her dreams, her overactive imagination insists that she tell her stories. Her intention is to touch the hearts of millions with her books, to entertain, inspire, and empower.

She currently lives just west of Toronto with her husband and beagle and is a member of Crime Writers of Canada.

Today, she answers a few questions for us and gives us insight into her life as a mystery author.

When you first begin writing a new book, is your main focus on the characters or the plot?

I’d have to say it’s really a blend of both. I approach writing a book without an outline and with merely an idea of the storyline. Oftentimes, I don’t even know the identity of the killer until my characters work through the investigation. Both the characters and the plot are strengthened through the editing process.

Why do you write within your chosen genre?

I love the logical progression and intrigue that goes with the mystery genre. The fact that I love to read mysteries and watch crime dramas has also made writing in the genre only a matter of time.

How much research goes into your fiction writing? What is your approach?

As an author of police and FBI procedurals, a lot of research goes into each of my books. I need to know how real life police or FBI would handle situations, have an understanding of forensics and weapons, as well as a grasp of the human aspect—the interaction between departments of law enforcement and within a department.

I’m grateful to have contacts from law enforcement who are generous in sharing their wisdom and experience with me.

Is there a time of day or night when you’re most creative?

It used to always be the morning, but that’s not always the case anymore.

Describe your writing environment. (Do you prefer noise or silence? Is your work area messy or neat? What do you see when you look around you?)

Oh, I love working in my office for the most part, but sometimes during the summer, I’ll take my laptop outside and write on my patio.

I prefer just above tomb silent and my work area is somewhat messy with papers everywhere… (bows head in embarrassment).

Connect with CAROLYN ARNOLD Online:
Website | Twitter | Facebook

 And don’t forget to sign up for her newsletter for up-to-date information on release and special offers at http://carolynarnold.net/newsletters.



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Interview – Author Courtney Rene

Author Courtney Rene
Author Courtney Rene

B: Welcome to my blog! Please start out by telling everyone a little bit about yourself –

C:  I’m pretty normal in most regards.  I’m a wife and mother of two.  I’m also a closet book addict.  I’m that person that is genuinely not allowed in books stores with a credit card.  I’m quite the introvert, although I like to pretend I’m not.  We are the owners of a fish, a hamster, and two turtles, along with a stray cat or two that pretend they belongs to us once in a while.

B: Tell us about your books –

C:  I have two series books going on at the present.  The first being my YA Paranormal Series, Shadow Dancer.  There are four books currently published and out in this series.  This is a story of a young girl named Sunny:

Sunny has a gift that she has no idea how to use, until she meets Leif, a boy from the kingdom of Acadia, on the other side of the shadows. 

Leif teaches Sunny about Shadow Walkers and how to use her new found gifts. As they grow closer and their gifts grow stronger, a threat arrives. The Shadow Guard has been sent to bring Sunny back to Acadia, to determine if she is a threat to the king as the rightful ruler of Acadia. 

As Leif and Sunny prepare to defend themselves, Sunny finds that Leif has also been sent to bring Sunny back to the kingdom but for very different reasons. As a battle for possession of Sunny wages, she is struggling to come to turns with her feelings of inadequacy regarding controlling her gifts as well as the hurt regarding the lies and deceit of everyone around her. 

The other books continuing on within the series are:  Shadow Warrior, Shadow’s End, and Shadow Fire.

You can find these books here:






The other series. I have going is also YA Paranormal.  It’s title is A Howl in the Night, which is the story of Abby:

Sweet Sixteen is supposed to be a turning point in your life. The world is before you in all its glory, just waiting for you to reach out and grab it. Right? For Abigail Staton no, not so much. Not only does she suddenly lose her best friend due to a fight, but suddenly her mother expects her to believe that the father, she has never met, is actually a werewolf. With that revelation, Abby is thrust into the world of two wolf clans who are not only fighting each other, but also fighting for Abby, one of the few females born to the shape-shifters. Her father is determined to pair Abby up with Derek, a very dominant and overwhelming shifter. Abby vehemently balks at this union to disastrous results. When war is declared between the two clans, Abby has to decide what side she is actually on.

The other title within this series is:  The Full Moon rises, which was just recently released in November 2015.

You can find these titles here:



B: What is special about your books that your readers love?

C:  I have been told that one of the things my readers like the most is that I have very strong female characters, which are relatable and inspiring.  I didn’t start out with that in mind when writing the books, but having a simpering girlie girl as a hero, didn’t mesh well with me.  Another perk is I add humor to my characters.  Again, this is another relateable attribute for my readers.

B: What should we be looking for from you in the future?

C:  I will begin work on the third book in the Howl in the Night series shortly, which I would love to get to my publisher asap.  There is a new fantasy story I am already working on.  Angels and demons and life and death.  I like it.  We will see if I can make it work for my readers.

B: Is there any genre you’d like to write for that you haven’t yet?

C:  I love the horror genre.  Although I have worked in this area in short stories and anthologies, I haven’t taken on a full novel.  I would like to break into that genre this year.  That’s my goal.

B: What three books would you take with you to read on the beach? Why?

C:  This is a hard question for me as I tend to read series books.  But if I could choose three series, then I would choose Harry Potter, because, hello, it’s Harry Potter.  Next would be a bit of a romance, in the Outlander Series.  Something about sunshine on a beach with the outlander books, just appeals to me.  Plus it would be a lasting read that I wouldn’t plow through in an hour or two.  And last, I would take the Vampire Lestat.  The story telling in that novel is suberb.  I love that character, evil and ignorant at times though he may be, I enjoy his journey every time.

B: What was your favorite read from the last year?

C:  Wow, that’s a good question.  I read over 55 books last year.  My favorite though I would have to say is a new series that Jodi Thomas put out, called Ransom Canyon.  It’s got history and drama and thriller and romance, and it’s got characterization.  I am really enjoying this find.  Maybe there is another that I liked more, but I don’t recall it right off.  This was the book that came to mind first, so that to me says, favorite.

B: Name three titles from your TBR list –


  1. The last of the Raven Boys books coming out soon in April titled the Raven King. That’s a great series by the way.  If you haven’t checked it out, maybe you should.
  2. I want to read the King book, the follow up from the Shinning titled: Doctor Sleep.
  3. And lastly, I want to read, Eating Bull by Carrie Rubin. This was just recommended to me, and I think it sounds great!  Not your every day hero in an obese teen.

B: Is there anything you would like to share that I haven’t asked you about?

C:  No, I think you have covered just about everything.  Aside from letting people know that all my books can be found on my blog, with links for information and purchase.  Please feel free to stop over and say hello.

B: List where people can find you online:

C: You can find me at the following:

Amazon:  http://www.amazon.com/Courtney-Rene/e/B004X6SS2Y/ref=sr_tc_2_0?qid=1455215933&sr=1-2-ent

Facebook:  https://www.facebook.com/Shadow-Dancer-and-more-by-Courtney-Rene-164433473646449/

Twitter:  https://twitter.com/ctnyrene

Blog:  www.ctnyrene.blogspot.com

Email:  ctnyrene@aol.com

B: Thank for stopping by! I wish you all the best with your books.

C: Thank you so much for having me!

Courtney’s Biography:

Courtney Rene lives in the State of Ohio with her husband and two children.  She is a graduate and member of the Institute of Children’s Literature.  Her writings include magazine articles, short fiction stories, several anthologies, as well as her young adult novels, A Howl in the Night, and new release, The Full Moon Rises, as well as the Shadow Dancer series (Shadow Dancer, Shadow Warrior, Shadow’s End, and a break away novel, Shadow Fire), published through Rogue Phoenix Press.  For a complete listing, visit www.ctnyrene.blogspot com or feel free to contact her at ctnyrene@aol.com.

©Rebecca Besser and Courtney Rene, 2016.

All rights reserved.

Interview with Author Gregory L. Norris

Note: This interview formerly appeared in my bi-monthly newsletter.
If you’d like to receive the newsletter, send an email to
with “Newsletter” in the subject line and your email addy in the body.

Bec: Greg, thank you for doing this interview for my newsletter; it’s great to have you! Please start out by introducing yourself:

Greg:  Greetings—and a pleasure to be interviewed!  I’m Gregory L. Norris, and when I was a little boy, I vividly remember waking up in our small, enchanted house in the woods and cuddling up against the heating vent on the floor in what passed for our dining room.  I didn’t want to leave the house to go to school; I wanted to stay home and be warm.  Forty-plus years later, here I am at my home—a big old drafty New Englander within view of Mount Washington—with the door to my Writing Room closed and the heat cranked up.  In the last week, I’ve left home twice, once for my weekly writers’ group meeting and the other to give a reading at a bookstore from Live Free or Sci Fi!, the latest in a series of pulp fiction volumes centered around my home state of New Hampshire.  The book contains my combat science fiction story, “The Moths.” The reading was well attended, and a group of writers from my aforementioned group and I joined the editor for dinner.  If not for the reading and writers’ group, with the snow and the cold, the farthest I would otherwise venture (apart from traveling the entire universe through my writing) would be to the mailbox, which is fixed to the outer wall of my house, right outside the sun porch door.  I’m not a hermit, truly; I just love to be home where I work as a full-time writer, and I love being warm.

Since the summer I turned fifteen (when I had one of those huge Eureka! moments) I’ve worked to claim the powerful sobriquet of ‘Writer.’  It’s not a title I wear lightly.  I’ve written for numerous national magazines and fiction anthologies and worked as a freelance screenwriter on Paramount’s Star Trek: Voyager.

Bec: I know that you’ve been published two thousand or more times… Do you have any favorite stories out in the world that you’re particularly proud of?

Greg:  For over a decade, I worked writing thousands of articles for national magazines like Sci Fi (the official magazine of the Sci Fi Channel before all those ridiculous Ys invaded),CinescapeSoap Opera Update, and Heartland USA, then the second-largest Male General Interest Magazine, right after Playboy.  Heartland boasted more than three million readers per issue—I covered the X Games, building demolition, and a number of celebrity and sports stories for them.  When added up, the amount of publication credits numbers somewhere past 4,000 total.  Since 2006, however, I’ve been focused mainly upon my fiction.

Favorites?  I’m smitten with my longish short story “B.E.M.s”—about bug-eyed monsters running rampant through Tinseltown of the 1960s.  That story appeared this past summer in the excellent anthology Ghosts in Gaslight, Monsters in Steam.  I’d have to state I’m also quite partial toward a recent collection of mine released by Elektrik Milkbath Press in September of 2013, Shrunken Heads: Twenty Tiny Tales of Mystery and Terror.  Earlier in March of the same year, my partner and I fell in love with this house and purchased it.  The place was a fixer-upper that we’ve since done plenty of fixing-up to.  While my Writing Room was being worked on, I wrote at our kitchen table in the dining room.  It was such a transition from where we were to where we landed here in the state’s North Country, and many of the stories I wrote during that time (including one I penned on the three-hour trip of our move north, with an enormous moving van creeping at the rear bumper of our car) found their way into the collection.  The idea for a book of flash stories came to me while writing at the kitchen table, and I’m quite enamored with the results.  But I’d say I’m also quite proud of my collected short stories and novellas that were collected into The Fierce and Unforgiving Muse: Twenty-Six Tales From the Terrifying Mind of Gregory L. Norris (Evil Jester Press).   That monster of a book gathered together some of the stories I am most fond of having written—a historical set in the Everglades, a parable about material goods set in a tiny apartment where we once briefly lived, a story about mummies in ancient Abydos, Egypt, another set—and written—in a New York City hotel room, some twenty stories up from the cold Manhattan pavement.  Voyager Captain Kate Mulgrew blurbed that book.  I’m proud it bears my byline.

Bec: What is your favorite genre to write?

Greg:  I love paranormal romance, ghost stories, mysteries, and the unclassifiable.  I used to despise Westerns, and then I wrote one—and found great love for that genre, too.

Bec: What is your favorite genre to read?

Greg:  I read everything that garners my interest through solid writing.  I’m presently reading a fantasy paperback downstairs, a poetry chapbook in my Writing Room, and a creepy old paperback from the 1970s upstairs.  Last week, I ate up a collection of Gay/Lesbian literary flash fiction.

Bec: What helps you keep on your writing schedule? Do you have any tricks to keep yourself on target when you’re dealing with life in general?

Greg:  Thank you for asking this question, because in August of 2013, I encountered the first real test to my writing schedule in some while and now feel qualified to comment on the matter.  I’ve worked to a loose but productive writing schedule for years.  I wake up, feed the cats, make the coffee, and then vanish into ‘Writer World’ for hours on end.  During those hours, I write fresh longhand drafts of stories, novellas, and novels, edit work on the computer for submission, proof galleys, research, and organize.  For the better part of the month of August 2013, I fell into a zombie state where I found myself staring at the blank page and struggling to get down a paragraph, let alone my usual ten pages a day.  It was horrible.  On a trip to Canada in September for writing work, a friend suggested it might be a Vitamin D deficiency.  Which made great sense, as I’d spent so much time indoors, out of the sun.  So I took to daily supplements, and sitting outside in my front yard on sunny days, and started feeling like my normal self again.

As for tricks, I write every day to maintain the pattern.  I try to get my ten pages in earlier in the day, which unleashes all sorts of wonderful energy to keep going so anything that follows is a bonus.  I’m lucky to have a partner who shovels the driveway, washes the dishes, mows the lawn, and does most of the banal work that gets in the way of writing to keep me writing.  But sometimes, I wash the dishes, dust the cobalt blue lamp in the living room, and do those necessary chores because they help me to work out story issues outside my home office.  We keep the house clean and organized, bright and cheery—I have strings of little white and blue lights atop my tall windows in the Writing Room, which are beautiful, uplifting.  An organized home surrounding an organized home office really does help.

Bec: Of all the books you’ve read in 2013, what are your favorite three?

Greg:  I read a lot of books earlier in 2013 as a judge in the Science Fiction/Fantasy/Horror category of the Lambda Awards.  The book selected for the win, Green Thumb by Tom Cardamone, is brilliant, and one of my three top reads of the year.  I also loved the Ellery Queen paperback, 1951’s The Origin of Evil, which is just a stunning read, with delicious language.  And this list is easily rounded out with Win! Poetry Contests by Esther Leiper-Estabrooks.  I don’t write poetry, but was gifted this book on the first night after our move north to the new house, when I attended a local writing group meeting.  I met Esther there and was given a copy—what a neat way to be welcomed to town!  I devoured the book.  The information easily works for other forms of writing and, as a neat footnote, I read Esther’s columns in the late, great magazine, WRITERS’ Journal, in the 1990s during that very formative beginning time of my publishing career.  She wrote for that publication for over thirty years, and here she was at a table across from me!

Bec: What was your best fan moment in 2013?

Greg:  I’ve had a lot of great feedback from readers and plenty of solid reviews of work that appeared in 2013.  I’d have to say there were three standouts, if you’ll indulge me.  The first—after moving here, I met a fantastic writer who is now a member of the writing group who had a copy of my The Q Guide to Buffy the Vampire Slayer on his bookshelves that he and his wife took with them to read on a cruise a few years ago.  One day, he handed it to me and asked for my autograph.  You never know who buys and reads your work, truly!  And the second came from editor Alex Scully of Firbolg Publishing.  Doctor Scully had assigned me to write a story for their Dark Muses anthology from the point of Lovecraft’s ultimate baddy, C’Thulhu.  I knew the story I wanted to write, but completely struggled with the execution.  It didn’t look that way following fierce edits, and I sent the story off, thinking I’d done a decent job.  A few hours later, I got back a glowing acceptance on “The Whisper of C’Thulhu” (which appeared with reprints by Lovecraft, Polidori, Washington Irving’s “The Legend of Sleepy Hollow,” and Poe, who is my favorite author—talk about humbling!).  My story had left her breathless and was accepted with plenty of editorial praise.

The third and perhaps biggest came about after an article on my career and move to the new house appeared in our local newspaper.  Four days later, I received an email from a reporter onNew Hampshire Chronicle, a lifestyle’s magazine show that reaches millions of people, five nights a week.  He and his cameraman traveled north on perhaps the hottest day of the new summer to tape a segment on my writing career.  It was amazing!  They documented the body of my work (and did so with a great deal of enthusiasm and pizzazz) and on July 11th, 2013, there I was, and there was my work as a writer, showcased on the flat screen in our living room—and on quite a few others throughout New England!

Bec: Do you have any writing goals you have left to achieve? If so, what are they?

Greg:  Oh, I have many!  Every year, I print up new copies of two lists—completed stories, and those I’ve yet to finish a completed draft of.  I’m always inspired by the former, and driven frenetic by the latter.  Those uncompleted stories howl at me in the night, demanding to be written.  151 ideas as of this new year!  I’ve completed four of those stories since January 1, 2014.  But I have so many ideas, and the silly impetus to complete each and every one of them follows me around like a second shadow.

I would love to have a series, and also to complete and submit certain projects.  My novel, The Zoo, gets closer to that goal by the day.  It’s about a homeless girl who is forced to live in an abandoned zoo with her dad and pet cat after their lives spiral toward disaster, like so many in this post-Bush America.  Other homeless souls have created something of a Hooverville at the zoo—the humans have become the animals, the imprisoned.  Soon after her arrival, the girl witnesses a murder, only no one believes her.  So she’s trapped in this hostile, horrifying environment, with a murderer that’s got her number.

I’d like to work more in TV, see one or more of my feature film scripts made, and bring that inflated number of unrealized drafts down to a manageable list.

Bec: I know you’re involved with writers groups… What benefits do you get from them?

Greg:  I came from a wonderful group in Southern New Hampshire—the Nashua Writers’ Group.  When we moved up North, I briefly attended the monthly meetings of a local group, as stated, but was, frankly, turned off by the cattiness and general lack of focus.  And so, with other writers of a similar mindset, I helped to found a weekly group where members read fresh work and receive constructive feedback, an environment more suited toward professionalism and productivity.  For me, writing is a solitary pursuit, one I adore, yes.  But I realized long ago that I’m not an island.  I’m more of a peninsula when it comes to writing, connected to other humans on one thin side of the land bridge.  I genuinely love being in the company of other writers at my weekly group, at retreats, and at conferences, where the passion for writing is narcotic.   What I get most is the joy of my fellow creatives’ company, the necessary dialog after one of my drafts composed in isolation is read aloud to my fellow humans, and the fun of being part of the writing community at large.

Bec: You’re one of the most positive writers I know (we writers are known to be a moody bunch)… What keeps you in such high spirits?

Greg:  Thank you.  I guess the answer is that I am committed to living a literary life and, as such, want to live it as a certain type of writer, of person.  And it’s easy to stay upbeat when I’m writing every day, living out the storylines of my biggest and smallest, most secret dreams as my pen scrawls them onto the page.  I live in a house I love where I’m happy, I love my small family, am constantly being romanced by the Muse and, at this strange, late-forties stage of my life, I’ve done so many things, met, interacted, and interviewed so many of my childhood icons, that I feel beyond fulfilled by the work I set out to accomplish way back when, at fifteen, lying on my stomach with a glass of root beer at the right of my fountain pen and notepad, and getting lost in the storylines of my imagination.  Through my writing, I’ve been to the ends of the galaxy and back.  So seriously, how could I not be in high spirits?

Bec: Since this is January of 2014, what are your big plans or goals for this year?

Greg:  To write, complete, submit, and hopefully sell certain projects.  I was just assigned six new short stories from a publisher in Germany.  I’m working on another short story for an anthology on creepy-crawly bug fiction I’ve been invited to contribute to.  I want to finish my novel, and work on any number of other ideas as follow ups.  In June, our thirty-month mortgage on the house is halfway paid off to completion, and so I’m structuring a writing schedule around the mortgage schedule, in anticipation of getting closer and closer to the end of that burden and a kind of freedom I look forward to enjoying.

Bec: Do you have any upcoming releases or news you’d like to share with us?

Greg:  I have stories forthcoming in numerous anthologies, but there is one in particular that totally has me walking above the floor.  I recently sold a short story to Firbolg’s environmental horror-themed anthology, Enter At Your Own Risk: The End is Really the Beginning.  I learned the Table of Contents will also contain reprints by Poe, Lovecraft, and the Mary Shelley.  The woman who penned Frankenstein!  My story set in the Pacific Northwest will share covers with one of her tales.  The book is due out in May 2014, and I might pass out when my contributor copy appears in my mailbox…located directly outside the sun porch door.

Bec: Is there anything you’d like to share with us that I haven’t asked you about?

Greg:  Only that if your readers are interested in following my literary adventures, they can check out my blog at www.gregorylnorris.blogspot.com—I try to update fairly frequently.  And this has been wonderful!  Thank you so much for your interest in my writing work.

Bec: Thank you for stopping by and sharing! It’s always a delight speaking with you.

Greg:  Thanks bunches, Ms. Rebecca—what a treat to be interviewed!

Enjoy this excerpt story from Gregory’s book, Shrunken Heads:

Coffee Talk
by Gregory L. Norris

Above the clink of coffee spoons, coordinated to a performance of coy smiles, hair twirled between fingers, and other body language impossible to misread, Courtney asked the handsome young man, “So, if you had to name the one thing you’re proudest of…”

“What would it be?” Brent finished her sentence, a good sign that their first date was going well.  “That’s easy.  The winter I volunteered at a homeless shelter.”

Courtney sipped, loving his image beyond the rim of her big white porcelain cup.  “That must have been so rewarding.”

“It was,” said Brent.  His smile widened.  “It really put me in touch with humanity.”

What he didn’t tell her, as others in the bistro sipped their coffee and read their newspapers, was how easy it had been to slip poison into the soup, or antifreeze into the bottles of alcoholics, or the giddy joy that had possessed him at giving one of those sub-humans a shove, right over the edge of the bridge, dropping the useless bit of flesh a hundred feet down, face first onto the ice, one less drain on civilized society.  Getting close enough to do the deed had been effortless.  The mark knew him from the shelter; Brent was one of the good guys.  Of course, he’d gotten away with it.  Nobody really cared about the homeless.

Courtney sighed, drawing him out of that winter and back to the present autumn.  “You’re amazing,” she said.  “You should be so proud of yourself.”

“Yes, very proud.  In fact, I’m thinking of volunteering again this winter,” Brent said, then took another sip of his coffee, light on the cream, heavy on the sugar.



©Rebecca Besser and Gregory L. Norris. All rights reserved.

Interview with Author Joe McKinney

Joe, thank you for doing this interview for my newsletter; it’s great to have you! Please start out by introducing yourself:

Joe: Thank you, Bec! Glad to be here. Well, let’s see, I’m Joe McKinney, 45 years old, a husband, a father of two lovely little girls, police officer by night, writer by day. As a cop in the San Antonio Police Department I’ve gotten to do just about everything. I’ve been a beat cop, a traffic officer, a disaster mitigation specialist, a homicide detective, I ran the city’s 911 Center for a while, and I’m currently a patrol supervisor working the west side of San Antonio. My police career has colored my writing career quite a bit, influencing it in more ways than I can count. I’ve written a total of seventeen books since Dead City first came out back in 2006, including the four part Dead World series, Inheritance, Quarantined, The Red Empire, Dodging Bullets, Dog Days, and a bunch of others. I write horror mainly, but I’ve also written some crime fiction and dabbled with science fiction. I’ll be branching out from there in the next few years. I’ve got a cookbook in development, for example. I also just signed on to script comic books for Dark Horse and I’ll be doing other comic book scripts for Evil Jester Presents.

Why horror and why zombies?

Joe: I recently gave a talk at a middle school in Friendswood, Texas and one of the 8th Graders asked me this very question. It was appropriate for the occasion, because I grew up in that area, and my love affair with zombies started there. It was the summer of 1983. I was fourteen. That summer gave me two landmarks in my education. The first was George Romero’s Night of the Living Dead, a movie that scared the ever-loving crap out of me. I watched it one night on cable and slept cradling a baseball bat for the next month. I dreamt of the living dead circling my house in the night, rattling the walls with their endless moans, forcing their way inside. No movie had ever done that to me before. Very few have done it since.
And then, just when I thought I had learned what real scary was, Hurricane Alicia made landfall. I grew up in Clear Lake City, a little suburb south of Houston. We were just across the lake from the mouth of the Houston Ship Channel and the numerous shrimp camps down in Kemah, and we were square in the crosshairs of the storm.

I spent all night in a closet, listening to the storm trying its hardest to rip my house from its foundation and send it sailing off like a kite. The next morning, I went to the front door and looked out over a sea of caramel-colored water. Every roof was missing shingles. Trees were toppled. Cars and trucks were submerged to their roofs. I saw a water moccasin glide through the swing set in my neighbor’s back yard. And at the entrance to my subdivision was a shrimp boat that had been carried seven miles inland by the storm surge. The destruction was staggering, and for a boy of fourteen, it felt a bit like the world had been turned upside down.

Of course, my fear didn’t last long. Later that day my best friend came by in a canoe and we paddled all around the neighborhood, acting like river explorers heading up the Amazon in search of The Creature from the Black Lagoon. It was a blast.

But even as the fear of those two landmark events subsided, my fascination with them was growing. And so when I sat down to write a story about how terrifyingly complex the world had become for me as a brand new father, I found myself turning back to the two most frightening encounters of my youth. And that meant horror, and especially zombies.

What was the coolest fan moment that you’ve ever had?

Joe: My coolest fan moment is also my biggest professional moment. My novel Flesh Eaters won the 2011 Bram Stoker Award for Best Novel. The presenters that year were Joe R. Lansdale and Robert McCammon. Now, as a kid, I used to skip lunch so I could save my lunch money to buy McCammon’s books. When he called my name I went up to the podium in a haze. I barely knew where I was. And then Lansdale and McCammon shook my hand and McCammon leaned in close and said, “Good job, Joe!” To have one of my literary heroes tell me that was a shining moment, and a memory I will always treasure.

Is there anything in your writing journey you would have done differently? Why?

Joe: I suspect that things happened the way they did for a reason, and truth be told, I’ve enjoyed the journey. I’ve hit a lot of milestones in my career, and checked a lot of items off the old bucket list. I’ve seen my first novel published by a major New York publisher. I’ve seen my first five figure advance, and my first six figure advance. I’ve been a best seller. I’ve been recognized by fans in airports, and I’ve seen my children beaming at career day when their daddy, the author, addresses the class. There’s been rejection and anger along the way too, but I don’t regret any of it. I think, if I could go back to a younger me and offer career counseling, I would choose sometime around January, 2007. The Joe McKinney of that time still looked on writing as a hobby, and Dead City as the one novel he had to tell. He loved writing, and short stories especially, and so he turned to those. Whereas before he had never considered publishing his short fiction, he suddenly found it easy to do with a successful novel under his belt. So, he spent a year cranking out short fiction. It was a wonderful year, and a productive one. I was doing as many as three short stories a week, and I just sold one of the stories I wrote back then for more money than I got for my first novel. But what I probably should have been doing was thinking about my next novel. Novels are where it’s at. You have to do novels if you want to make a living as a writer. Short stories are great, but unless you’re Ray Bradbury you stand a very dim chance of making a living as a writer if that’s all you do. Had I paid more attention to putting out novels, I might have reached the point I’m at now a lot sooner. But then again, maybe I wouldn’t have. As I said, I suspect things happen for a reason. Maybe this is where I was meant to be.

I know the “Books for Troops” thing just kinda happened. Tell us about how it came about and the response you’ve had from supporting authors:

Joe: Sure, that’s a great program, and one I’m very proud to be a part of. A few months ago I got an email from one of my readers who said that he’d sent several of my books to his grandson, who is stationed at Bagram Air Base in Afghanistan. Apparently the books were very well received, and quickly made the rounds to all the guys stationed there. Our troops are starved for reading material, and anything from the States is eaten up at once. I figured it wouldn’t hurt to send a few books that way, so I put something up on Facebook, asking if any horror writers wanted to send something along. I really didn’t expect the response I got. Several hundred authors contacted me over the next few hours and days, and ultimately sent me over two thousand books. I sent one shipment of about 1,200 books a few weeks ago, and have since learned that the troops have already devoured them. Another batch of books is going to go out this week. And it was super cheap to do. If you send to a U.S. military base it’s the same as shipping anywhere in the U.S., and so sending all those books only cost about $160 bucks. I feel really good about the project.

Is the “Books for Troops” something you’re considering continuing in the future?

Joe: I would love to do so. The thing is, my reader’s grandson rotates back to the States in February, so I will need a new contact to ship to. It’d be great, I think, if another horror writer developed a contact over there and took point on this. Bagram is an Air Force Base, and it’d be nice to share the love with other branches of the service. If anybody does pick this up and runs with it, I will be there to donate books, and I’ll do it with a smile on my face.

Do you have a writing goal that you have yet to achieve? If so, what is it?

Joe: There’s always another mountain to climb. If I ever wake up and decide that I’ve done everything I want to do, then that is the day I will retire my pen for good. Luckily, that’s not going to happen anytime soon. I have a lot of things still to do. For example, I want to write the story of Ambrose Bierce’s disappearance. I want to have an ongoing comic book series. I want to write movie scripts. But above all, I want to look back on a long writing career and be able to honestly say that I was hungry from start to finish. I want to be able to look myself in the mirror and say, “Yep, you did good, kid!”

I’ve noticed that you still contribute to anthologies (I know ’cause we keep getting in the pages together – LOL!), what do you look for when considering an anthology to submit to?

Joe: I do! And I think if we appear in any more anthologies together we’ll have to get some sort of common-law spouse arrangement! But why do I choose the books I do? I honestly wish I could tell you. I just don’t know. Part of it is interest in the project, of course, but it’s also a question of due dates. For example, I just turned down an invitation to an non-fiction, academically-oriented anthology that I wanted desperately to be a part of. It had everything I look for: a chance to write something different; a chance to stretch my boundaries; a chance to reach a new audience; and it even paid well. But unfortunately, I could’t do it. You see, I have four novels and six short stories due by April, 2014. At this point, if I take on any more projects, I may implode. There is a limit, unfortunately, and I’m pretty much at it right now. The next for-the-love anthology I submit to is probably a good ten months away.

What has been your favorite writing moment in 2013?

Joe: Several months ago, my twelve year old niece went to her school’s librarian with a zombie book. The librarian said, “I ordered this book for the library because I love zombies. Do you?” My niece replied: “I sure do! My uncle writes zombie books.” The librarian’s smile turned to a questioning frown. “Really?” she said. “Who’s your uncle?” My niece told her, and was surprised to see her librarian nearly faint. As it turns out, the woman is a big fan of my books. So she called me up and asked if I’d be willing to speak to her students. I said yes and the next thing I knew I was on the way to Friendswood, Texas, which is pretty much where I grew up. Then this librarian handed me a microphone and I found myself talking to more than eight hundred students. If you’ve ever addressed a huge performance hall full of eight hundred twelve year olds then I bet you get what that moment was like for me. If not, I can tell you now that it was absolutely awesome! If you’ve ever doubted for the safety of our nation in the years to come, trust me, we’ve got some mighty talented youngsters waiting to take the reins. It was a great time!

Is there anything writing wise that you struggle with? If so, how do you deal with it?

Joe: Always, and every part of the writing process. If your writing isn’t challenging then you simply aren’t challenging yourself to be better. In particular, beginnings are hard for me. I struggle to set the right voice for the characters, and to really get into their heads. Once I’m there the writing gets easier, but finding that groove is always a challenge.

Tell us about your most recent release:

Joe: My latest is a stand-alone zombie novel called The Savage Dead. It came out in September. From a story point of view it’s a political thriller that ends in with zombies on a cruise ship. Picture Vince Flynn meets The Love Boat, but with zombies thrown in. But to give you a glimpse behind the scenes I will say that this book is the culmination of my interest in the insanity that is the Texas-Mexico border. The region is so rich with cultures and history, and yet so riddled with poverty, and drugs, and human trafficking, and a thousand other pots set to boil over that I fear we are ignoring a powder keg of cataclysmic proportions. That region will, I believe, in the years to come, prove to be America’s next Iraq, or Afghanistan, or Vietnam. As a police officer in an administrative position I am savvy to some rather disturbing intelligence coming out of that region, and I can tell you that our military and our cops are doing things there that would make the plot of a Tom Clancy novel look pedestrian. I wanted to bring out some of that sense of urgency with The Savage Dead; and hopefully, in the process, stay true to the wealth of culture and tradition unique to that area. I do truly love it, that mash up of cultures and political systems, but I fear it just the same.

Is there anything you would like to share that I haven’t asked you about?

Joe: Thanks for asking! Yes, actually, there is something I’d love to talk about. I have a book called Dog Days coming out in December. The book is actually the third in a series that JournalStone Publishing is doing called Double Down. The idea is simple. Take one author with some name recognition, and let him choose a writer that hasn’t yet received the kind of opening into the business that he or she deserves. Previous editions to the series have partnered Gord Rollo with Rena Mason and Lisa Morton with Eric Guignard. I’m partnering up with a San Antonio-based writer name Sanford Allen, who wrote a book called Dark Passage. If you remember the old Ace Doubles you probably have a good idea of what these Double Down books look like. Basically, you have two novels printed in the dos a dos style. Read one story through, flip the book over, and you find a second novel. It’s pretty cool, and it gave me a chance to explore an experience that happened to me back in 1983. Of all the things I’ve written, Dog Days may be the most autobiographical. I’m hoping it makes for good horror.

Thank you again for stopping by. It’s always a pleasure!
[An excerpt from THE SAVAGE DEAD by Joe McKinney.  Scheduled release date is September 3, 2013 from Kensington Press]

Chapter 3


Outside her window, Dulles International Airport sank into the darkness.  Pilar Soledad watched it fade to black, aware that something vital inside her was hardening.  It was always the same on these return trips to San Antonio, as layer by layer she peeled away the fiction that was her life as Monica Rivas, Washington DC lawyer, socialite and Mexican-American rights activist, leaving only a core of ice too numb to care for much of anything.

Her gaze shifted to her reflection in the window.

The woman looking back at her was gentle, kind, sweet.  She wore silver hoop earrings and a light mineral makeup, a powder, with a cool, muted red lip gloss.  Her black hair was pulled back in a loose ponytail that draped over the shoulder of her tweed suit jacket.  It was a good look for her, professional and stylish, bespeaking of old money and cultured tastes.

But Monica Rivas was a lie.

Like everything else about her, Monica Rivas was a cold, cruel, carefully constructed lie.  And in moments like this, as she faced the transition from Monica to Pilar, she felt so bitter, like for all her struggles, all those years spent clawing her way out of the gutters of Ciudad Juarez, of fighting against the gangs that tried to turn her into a common whore, that for all that, she had achieved little more than a sort of pointless circularity, a racehorse going ‘round in circles at full speed, never getting anywhere.  There was so much hatred inside her, so much resentment at the world that had created her.  Had she not learned to bury all that rage over the years she probably would have put a gun in her mouth and ended it all.  Instead, she stared at her reflection and let the walls come up around her heart, one after another.

From beside her, she heard a sharp intake of breath, and turned from the window.

In the seat next to her was an old Hispanic woman, short and fat, her dark complexion belying her Indio heritage.  The woman was gripping the armrests of her seat, her teeth clenched, eyes shut hard.

Pilar reached over and took the woman’s hand in hers.  It was the kind of thing Monica would do.

Surprised, the woman looked at Pilar.

Then she smiled.

“Thank you,” she said, breathing a little easier now that she had someone to lend her strength.

“Taking off is always the hardest part,” Pilar said in Spanish.

The woman’s smile brightened.  “Oh, are you from San Antonio?”

“Yes.  Well, years ago.  I haven’t been back in a long while.”  The lie was practiced.  It came easily.

Speaking Spanish seemed to relax the older woman, for the tension was gone from her face now.  She even turned toward Pilar, as though they were sitting on a porch swing together rather than roaring steadily up to altitude.

“Are you going home then?” the woman asked.  “To your family?”

Automatically, at the mention of family, Pilar thought of Ramon Medina.  It was hard to hold the smile on her face.

“Yes,” she said.  “I still have some connections there.”

“How nice,” the woman said.

She went on talking, that old woman, but Pilar, for the most part, tuned her out.  She was nodding politely, offering vague noises of encouragement now and then, but in her mind she’d turned back to darker times. She was thinking uneasy, alone thoughts, the kind of thoughts that kept her awake at night, staring up into the darkness, even when she was playing at being Monica Rivas.

She remembered a time, twenty years ago now, when she was in the back of an 18 wheeler with a boy she knew only as Lupe and fifty-three other migrant workers trying to get across the border into Texas.  She had to have been eight, or possibly ten, because she’d been small enough to cower behind a field box that had recently been used to transport onions.  She could smell them even now.  And Lupe, he would have been younger than that, for she’d been able to shield him with her body when the old woman – an old woman much like the woman sitting next to her now – had gone into cardiac arrest from the heat and died.

She collapsed right next to them, and when Lupe saw the old woman was dead, her face slack and powdery white in the daylight that slipped through the cracks in the trailer’s walls, he’d gone still.  Even after all these years, she could still hear his silence next to her, how awestruck he had been at being closed in with the dead.

“Why won’t they let us out?” Lupe asked.  He huddled against her, trembling, even though it was hot like an oven in the trailer.  They hadn’t moved in a long while, and several of the men had kicked and scraped and pushed against the walls, one by one dropping from heat stroke and dehydration.  Looking across the silhouetted forms crowded into the trailer, she could tell that most of them were dead already.

“They’ve probably left us here,” she said.  “Disconnected the truck and left us here by the side of the road.”

“But why?  We paid them, didn’t we?  We paid them what they wanted.”

She thought about the frightened look on the truck driver’s face when he opened the back and learned that four of the migrants riding in his trailer had died.  She thought about the men surging against the doors when they closed, their screams of rage and horror as the padlock clamped shut.

“Yes, we paid them.”

“Then why?”  He was starting to whine.

She squeezed his hand until his whining turned to whimpers.

“Stop it,” she said.  “Be quiet.  Somebody will come soon.”

“My head hurts,” he said.

“You’ll be okay.”

“I want to throw up.”

“You’ll be okay.  Just stay calm.  Don’t move if you don’t have to.  Somebody will come.”

To drive her memories of that time away she took the old woman’s hand again.

“You’re so very sweet,” the woman said.

Pilar smiled, wishing that were really true.

# # #

It was nearly midnight when she disembarked at San Antonio International Airport.  The airport was almost deserted, the shops along the concourse all closed up, nobody but a few bored custodians wandering around.  Pilar never checked baggage on these flights back and forth between Washington DC and San Antonio.  Everything she needed, and that wasn’t much, she kept in her carry on.

She made her way with the other passengers down to the exits where she rented a car on her Monica Rivas credit card.  Less than ten minutes later she had the airport in her rearview mirror and was looking for a place to pull over.

She found it in an abandoned gas station parking lot.

She turned out the lights, rolled down the windows, and waited.  Washington had been hot and sticky with humidity when she left.  Here, in San Antonio, it was even hotter, but the night air was dry and still and scented by a nearby magnolia tree in bloom.  It pleased her.  Even if coming back here stirred up a lot of memories she’d rather forget, there was still something satisfying, even welcoming, like a narcotic sleep, about the South Texas nights.

And with the windows open and the night air moving across her skin she could almost hear Lupe laughing at the sparks rising on the hot air above the open fire they’d lit the night before they were to board the 18 wheeler and make the trip across the border.  They were out on the black hills above Ciudad Juarez, behind a cluster of tarpaper shacks, sitting on car tires.  They didn’t have anything to eat but some gum she’d stolen from a shop down in the city, but that was okay.  Lupe was happy just listening to her talk about the wheel of fortune and what was in store for them.

“If you start at the bottom of the wheel and rise to the top, that’s a comedy,” she said.

“And if you start at the top and you go to the bottom…”

“That’s a tragedy,” she answered.  “But that’s not us.”

“We’re like those sparks, right?”  They both watched pinpoints of light rise into the air, winking out above their heads.

“That’s right.  Our life’s a comedy.”

Oh how he’d laughed about that.

And oh how it hurt now to think about him laughing.

At 12:30 a.m. she took out her iPhone and called up a Gmail account that she shared with Ramon Medina, head of the Porra Cartel.  The inbox contained a few junk emails, but those were unimportant.  It was the draft folder with which she was concerned.  The cartels had learned early on that the NSA routinely monitors international email accounts.  Anything going in or out of the country is scanned for key words and hot button topics by some of the most sophisticated software analytics ever devised.  And when items of interest are developed, they’re copied and read and the senders placed on the watch lists for more intensive scrutiny.

The Porra Cartel had figured out ways to be careful.  Anytime they needed to relay large amounts of computer files, as she’d done with all the information she’d lifted from Paul Godwin’s phone, they simply typed up an email on the dummy account they shared and saved that email in the draft folder.  A simple routine was devised.  When a scheduled check of the account was due, as hers was now, she simply logged in using the password they shared and checked for drafts.  Unless the NSA knew the account name and the password, they stood almost no chance of intercepting the message.

Waiting in the drafts folder was a single message, written in Ramon Medina’s clipped, terse style:


  1. ..esto es algo bueno que lo puedo usar…en el edificio gris en Potranco y Westover Hills…lo que necessita aqui y ahora…R


That was good, she thought.  He’d liked what she’d sent him and felt like it was something they could use.

Now to see what he wanted her to do about it.

He’d given her directions to meet him, and she had a vague idea of where he meant.  Ramon Medina never used the same place twice, but he generally felt more comfortable on San Antonio’s west side.

She got on Loop 410 and headed west.  The roads were nearly empty, much as the airport had been.  Pilar put the car on cruise control – even though her Monica Rivas identity was air tight and the cops would never find anything if they stopped her, there was no reason to leave a footprint if she could help it – and headed into the darkness at the edge of town.

Her thoughts kept turning back to Lupe.  The Texas Highway Patrol had finally rescued her from the 18 wheeler, but not before Lupe and 39 others died of heat stroke.  After that, she went to sleep every night hating herself, blaming herself for his death.  She’d wake up in the morning hoping it had all been a sick nightmare, but of course it wasn’t.  He was just a child.  He had counted on her, believed in her, and she’d let him down.  That was the part that really chewed her up inside.  She’d been careless.  And now he was dead.

The Border Patrol had taken her from the Highway Patrol, questioned her, assigned her an identity card, and put her on an old school bus with bad air conditioning.  Then they’d driven her back to the border, back to Ciudad Juarez.  There they’d turned her out, a ten-year-old orphan, left to wander the streets of the murder capital of the world.  Other girls her age were forced into prostitution, but not Pilar.  She learned to avoid the gangs, and even managed to steal the food she ate from right under their noses.

Ramon Medina was a young man then, still in his early twenties.  He’d made a name for himself with a string of eight liner gambling houses that catered to the American tourists, dozens of whorehouses, and of course a tight leash on the growing trans-border drug trade.  His personal office was one of the places Pilar went to steal food, and, more and more, money.

For two years she stole from him, until one night when he and three of his men had surprised her rifling through his safe, which she had learned to crack on one of her first visits.  One of the men tried to grab her, but she fought him.  He was three times her size, and still she fought.  She almost got away, too.  She would have, if Ramon hadn’t put a pistol to the back of her head.

“So young,” he said.  “And so ready to die.”

She closed her eyes and waited for the shot.

But it didn’t come.

For as different as the cartels were, they all shared a strong patriarchal structure.  Women were good for decoration, and for recreation, but not for business.  Still, something about her had impressed him.  She was feisty.  She was smart.  At twelve, she had succeeded in robbing him blind, getting in and out of his compound with the ease of a professional burglar.  She would have gone on stealing from him, too, if he hadn’t been forced to come back here unexpectedly.  Ramon knew talent when he saw it, and he saw it in her.

Over the next six years he made her into a real professional.  By her late teens she could slip in and out of any compound, government or otherwise, like a ghost.  And she was a natural with computers, with financial networks, with business management.  She became indispensable to him, helping in every part of his operation.

Even the killing.

As his operations in America grew, he created the Monica Rivas alter ego.  He built a fictitious biography for her, making her the only daughter of one of Mexico’s wealthiest coal barons.  He got her into Harvard, paid her way. Paid her way through law school at the University of Virginia, too.

In return, she’d become his faithful spy in Washington.

Ramon Medina, she thought.  There had been a time, years ago, when she actually believed she was in love with him.

But she was older now.  She knew better.

She turned her car into a church parking lot that bordered the abandoned warehouse Ramon was using for this meeting and parked behind a large cluster of shrubs that had gone to riot.  The church was small and poor looking, which probably meant it didn’t have video cameras, but there was no point in being careless.

She went around to the side of the warehouse and saw three guys standing just inside an open doorway.  She knew them at a glance.  Knew their kind, anyway.  They were like all the other common foot soldiers taken off the streets of Ciudad Juarez, tattooed, skinny, unkempt, with a perpetual feral look in their eyes, like dogs that were never fed enough.  Men like these died by the dozens every day in Ciudad Juarez, their only claim to fame the horrors that were ravaged on their bodies.

They saw her coming and separated from the shadows.  One of the men – Jesus, she thought, he’s not even wearing a shirt – put out his cigarette and walked right up to her.  He looked her over, head to toe, leering hungrily.

“I’m here to see Ramon,” she said, not wanting to waste time with these losers.

The man laughed.  He glanced over his shoulder at the two men behind him.  “Ramon se esta putas caras en estos dias,” he said.

This brought a laugh from all three men.

“I am no man’s whore,” Pilar said.

The man looked back at her, a stupid grin still on his face.  Perhaps, at that moment, he sensed the change in her posture, or perhaps he saw the look in her eye, but either way it didn’t help him.

He was still grinning when she drove her fist into his throat, crushing the hyoid bone.  The man staggered backward and fell over.  He was choking, holding his throat, rolling on the pavement like a fish out of water.

The other two men were already pulling the pistols from the waistbands of their jeans, but they weren’t fast enough either.  Pilar sidestepped the first man, and when his right hand came up with the gun she caught his wrist, pushed it high to get the arm and the gun out of play, and then brought the blade of her foot down hard on the side of his knee.  The bone crunched beneath the kick and the man cried out.  He sagged into a crouch, his leg unable to support his weight.  That gave her the height advantage she needed.  Using her weight as leverage, she twisted the man’s gun hand around, turning in a circle so that he was off balance.  He tried to hold on to the gun, and that was a mistake.  She snapped the bones in his wrist and sent him tumbling away.

All of this happened in the time it took the third man to pull his weapon, and by the time he did, he found himself staring down the muzzle of the pistol in Pilar’s hand.


Pilar kept the weapon trained on the man’s forehead.

He glanced back toward the warehouse door, where Ramon Medina was standing with several of his personal bodyguards.  The man turned back to Pilar, and she could sense his uncertainty, his damaged machismo.  What would Ramon Medina think of him now, beaten by a girl they’d had outnumbered and outgunned?  That’s what he’s wondering, Pilar thought.

He looked at the two men behind her.  Both were still writhing and coughing, unable to get up.

If he had any self respect at all he’d try to slap me, Pilar thought.

She smiled at him, inviting him to make the next move.

He didn’t take the bait.  Instead, he muttered, “You fucking bitch.”

Pilar had been dealing with jerks like this little man her entire life.  As a child she’d run from his sort, men who leered at her with dirty faces and bad teeth, their intentions and desires plain on their faces.  For years she’d lived in terror of what such men would do to her when they caught her.  But that was a long time ago, and she wasn’t a little girl anymore.

She wasn’t running anymore.

And she didn’t take insults from anyone anymore.

Pilar closed on him before he could react and slammed the butt of her gun down on the bridge of his nose, shattering it with a sickening crunch.  The man wilted below her, but Pilar wasn’t about to let him go.  She was no whore.  She was nobody’s bitch.  The nerve of the man.  Who the hell did he think he was?

A red curtain of rage dropped over her.

The blood rushed in her ears.  She let the rage fill her.

She knelt over the man and brought the gun down on his face, slinging blood everywhere, smashing teeth and sending them skittering across the pavement like spilled coins.

The man’s eyes lost focus.  His hands dropped to the pavement.  But Pilar didn’t stop hitting him.  The rage was too strong in her, her need to crush this son of a bitch too powerful.

She slammed the gun down on his mouth.  “Bastard!”

And again.

“How do you like that?”

“Tell me I’m a bitch now.”

Again and again and again.

“I said, Enough!

Ramon’s words cut through the rage that had momentarily blinded her.  He was the only one that could do that to her, pull her back from the edge.

She looked down at the man she’d just attacked.  He wasn’t moving anymore.

Pilar’s chest was heaving, the gun was still raised above her head, blood dripping down her arm.  Every nerve felt raw from too much adrenaline.

“You’re done there,” Ramon said.

Pilar lowered the weapon, and was about to get up when the man groaned through his busted teeth.

She slammed the gun down one more time.

Then she looked up at Ramon Medina.  “Now I’m done,” she said.

Ramon sighed.  He was wearing a dark blue tailored suit, a white silk shirt with a gray tie and crocodile skin boots.  When she’d first met him all those years ago he’d looked just like every other street thug trying to carve out a section of Ciudad Juarez for his own, but the years, and more lucky breaks than any ten men deserved, had polished him.  Just like they’d done her.  These days, Ramon Medina looked more like the wealthy playboys of the Mexico City club scene than the leader of the largest cartel in Northern Mexico, and despite the rage still simmering within her, Pilar remembered again why this man had held her in such sway for so many years.

She stood up, blood dripping from her face, her clothes, her hands.

“I see you’re trimming off some of the dead weight from my staff,” he said.

She smiled.  “Isn’t that what you pay me for?”

“I pay you for all kinds of things, Pilar.”  He put his hands in his pants pockets and studied her.  “How was your trip?”

She shrugged.

“Would you like to get cleaned up before we talk?”

“I thought you said it was urgent.”

He nodded.  “Always straight to the heart of the matter, eh?”

“You should know better than anyone.”

His expression remained pleasant.  If he had any idea of the heartache he’d caused her over the years, all the things she swore she’d never do but did anyway just because of what he meant to her, he made no sign of it.

Oh, he knew, she thought.  He knows everything there is to know.  He’s the only man who knows everything there is to know about me.

He just doesn’t care.

Ramon turned to his bodyguards and gave instructions for the injured men at Pilar’s feet to be brought inside.

“That one there, the one that’s all beat up, take him to Dr. Rosato.  Tell him I want a demonstration on the floor in fifteen minutes.”

The men were removed inside, and Pilar and Ramon were left alone.  He stood to one side and ushered her inside.

“What, no hug?” she said.

His smile broadened.  “It is good to see you, Pilar.  I missed you.”

# # #

“What exactly am I looking at?” she said.

She was standing in Ramon’s office, staring through a pane of one-way glass.  On the other side of the glass was a fairly large open room, a few boxes here and there, some rusting pieces of machinery, a few doors along the back wall.

Aside from the men she’d injured outside, now sprawled out on the floor, there was nothing much of interest.

Ramon flicked his wrist, checking the time on a slim gold watch around his wrist.

“Any minute now.  It takes about ten minutes for someone as badly injured as our friend out there to feel the effects.”

“When did you get the watch?  I don’t remember you ever wearing jewelry.”

He gave her his best smile, perfect white teeth gleaming in the lamplight from his desk.  “Do you like it?  It was a gift.”

“From who?”

“Does it matter?”

She turned away.  “You’re a bastard.”

“Come on, Pilar.  Don’t be like that.”

She didn’t take the bait.  She wasn’t going to get into this again.  How many times could he play her like this, keep her coming back for more like she was on some kind of string?

How many times would she let him?

Nodding toward the window, she said, “Tell me what I’m supposed to be looking at.”

He stood up from his desk and came over to the window to stand by her side.

“I’ve diversified quite a bit over the years.  Drugs and weapons pay well, but the real money is in investing.  American sports franchises, banks, software startups, you name it.  And, among other things, I happen to own significant interests in six different biomedical research firms, which is why you’re here.”

She nodded toward the man she’d pistol-whipped.  He was on his back, a puddle of blood forming around his head.  “I don’t think biomedical research is going to help that guy.”

“No,” he said.  “You’re right about that.  He’s definitely a dead man.”

“So what am I supposed to be looking at?”

“Just wait.”  He looked at his gold watch, then flashed that disarming smile of his again.  “It should be any minute now.”

She scowled, but said nothing.

Pilar turned her attention back to the three men out in the middle of the warehouse floor.  Two of them were moving, rising shakily to their feet.  The third wasn’t going anywhere, though.  She could see that from here.

Must have done more damage than I thought, she realized.  Of course, the bastard deserved –

The thought broke off clean.  The man she’d injured so badly was convulsing.  He was coughing blood all over the floor.  She’d seen men die from beatings before, and that wasn’t what was happening here.  It looked more like something was inside him, and trying to tear its way out.

“What’s wrong with him?” she asked.

“Just watch.”

The room wasn’t lit very well, but as the man flopped around on the floor, Pilar got a pretty good look at his features.  He was ghastly.  Something was wrong his face.  She’d smashed him up pretty severely, but she hadn’t caused that.  Not those injuries.  The cuts on his face looked black.  That wasn’t bruising.  She could see that.  That was disease.  And the skin around the black, diseased wounds was mottled red and shot through with burst blood vessels, like fresh burn marks.

“I didn’t do that to him,” Pilar said.  “What is that?  What’s going on?”

“I know you didn’t.  I did.”  Ramon pointed back to the floor.  “Just watch.”

The man stopped fighting.  As Pilar watched, he sank to the floor and went still.  Pilar’s brow furrowed.  Had he just died?  It sure looked that way.  But then, he climbed to his feet, stood there stupidly for a moment, then started to look around the room.

“This is the tricky part,” Ramon said.  “Sometimes they don’t attack.  They just stand there.”

Pilar looked at him.  “What are you talking about?  What is this?  What did you do?”

“Always so many questions, Pilar.  Even when you were a little girl, you always questioned me.  What have I told you?  Don’t ask questions.  It keeps you from hearing the answer.”  He pointed to the window.  “Ah, good, he’s one of the movers.  See?  Look.”

Pilar turned back to the glass.  Inside, the man with the ruined face was staggering forward, advancing on the man that Pilar had hit in the throat.  Pilar didn’t react when the first man attacked.  She didn’t react when he pushed the man’s chin up and leaned into his neck, exposing the bruised throat.  She thought maybe he was checking the damage she’d done to his friend.  But when the man started to tear into that bruised throat with his teeth, pulling huge strips of flesh away with the broken stubs of the teeth he had left, Pilar gasped.

“My God,” she said.

“Oh no,” Ramon said.  “God has nothing to do with this, I assure you.  That right there is good old-fashioned American biomedical research.  Nearly a billion dollars of it, in fact.  It took my labs almost two years to modify the Clostridium bacteria that’s causing that reanimation.”

Pilar’s only response was a long, muted groan.  The man was eating that guy.  Actually eating him.

“Ramon, what have you done?”

“Incredible, isn’t it?” Ramon said.

“It’s ghastly.”

He laughed.  “Pilar, I’m surprised at you.  Don’t you see what’s going on out there?”

A gunshot kept her from answering.

Inside the room, the third man was backing away from his two companions, a look of abject horror on his face.  He held a pistol on the man with the ruined face, but Pilar was unable to tell where the shot he’d just fired had gone.  The cannibal was climbing to his feet now, so he hadn’t been hit.

Or had he?  There was a blackish-looking hole on his right shoulder, and as he lurched forward, that arm didn’t come up.

Four more shots rang out, all of them solid center mass hits to the chest.

Pilar nodded in approval as the man with the ruined face fell backwards onto his butt and sat there, staring up at the man who had just shot him.  Strong will, Pilar thought.  The human body, she knew from experience, could withstand a huge amount of violence and damage and still carry on.  She’d once slashed an American soldier’s belly wide open, and then been surprised when the man ran away from her.  She’d chased him for four blocks through the slums of Ciudad Juarez, the man cradling his intestines as he ran, before finally putting him down.  It all depended on the amount of fight an injured person had in them.  This man, with four gunshots to the chest and one to the shoulder, might still hang on for a few hours, though he wasn’t going to be getting back up.

But he did.

Pilar gaped at what she saw.  The wounded man was actually getting back to his feet.  His moans did not surprise her.  The man must be in terrible pain.  But the fact that he was on his feet, and stumbling toward the man with the gun again, shocked her.  It wasn’t possible.

“He only has one chance,” Ramon said.  “He needs to take out the medulla oblongata, here, at the base of the brain pan.”

Pilar glanced at him.

Ramon pointed at the back of his own head, where his skull met the spine.  “Right here,” he said.  “What snipers call the kill spot.  Hit there and all autonomic functions cease.”

Another shot.

Pilar turned back to the window.  Out on the floor, the man with the gun had managed a head shot that blasted away most of the top of the other man’s skull.  A tattered flap of his scalp was hanging down the back of his head.

“Nope,” said Ramon.  “He missed it.”

Pilar was speechless.  It was impossible, completely and unbelievably impossible, but the man was still on his feet.  She expected him to fall over any minute, but he didn’t.  He staggered forward.  The man with the gun started to plead with the man to stand back.

“That won’t help,” Ramon said.  “Once somebody’s infected, and the bacteria have had a chance to take over, the person can’t be reasoned with.  All they want to do is attack.  Doesn’t matter who, doesn’t matter what.  They’ll even go after their own children.  If our friend out there wants to get through this, he’ll have to destroy the medulla oblongata.”

None of what Ramon was saying made sense.  He could be that way, cryptic, but she had never felt this over her head with confusion before.

“Hmm,” he said.  “Nope.  He’s done for.  Look.”

Pilar hadn’t even realized she was staring at Ramon.

“Look,” he said again, and pointed toward the floor.

She did as he commanded.  The man with the ruined face had knocked the other man down.  The room filled with screaming.  Pilar watched it all with a blank expression on her face.  What had Ramon done?  That man should be dead, but he wasn’t.  He was missing the top of his head and his chest had a handful of metal in it, yet he was still making a meal of the man.  Oh God, he was eating him.

“He is dead, Pilar,” Ramon said.

“What?”  For a moment, she thought she’d said something out loud, but then she reminded herself that he had always been able to do that.  No one else she’d ever known, except maybe Lupe, when she was younger, could read her face as well as Ramon Medina.  Whether she liked it or not, she had no secrets from him.

“You’re wondering why he isn’t dead.  That’s because he already is dead.  He died before he attacked that first man.”

Pilar shook her head.

“It’s true.  Here, watch.”

Ramon pounded on the glass.  Out on the floor, the man looked up, trying to find the source of the sound.

“Though they’re dead, they still respond to sight and sound.  There’s no other real brain function that we know of, though.  Well, except that needed to move around and grab stuff. In all other ways, they’re dead though.  No breathing, no thirst, no nothing.”

He beat on the glass again, and this time, the man got up and crossed to them.  He walked right into it, then, to Pilar’s horror, started trying to chew his way through it, beating on it with his gore-stained palms, smearing blood all over the glass.

“He’ll stay like that for hours,” Ramon said.  “Once they catch the trail of something, they just keep going until something else comes along.”

Pilar stared at the man.  He was ghastly.  She’d seen people tortured before, dismembered, burned, scalded with acid…this was worse.  Worse by far.

“It’s the eyes, isn’t it?” Ramon said.

She nodded, still staring at the man on the other side of the glass.  Ramon was absolutely right.  The look in this man’s eyes was the same as what she’d seen staring back at her from severed heads on tables or looking up at her from inside duffle bags.  Exactly the same.  Distant, profoundly vacant.

“That’s when you finally believe they’re dead, when you look in the eyes.”

“Are you saying that man’s a zombie?”

He laughed.  “Yes!  That’s it exactly.”

“You made a zombie?”  A thousand questions raced through her head.  But there was only one that really mattered.  “Why?”

“Pilar, you don’t need me to tell you that.  You’ve spent enough time in the United States to know them as a people.  They consume.  That’s what they do.  They always have to have the newest thing, the latest thing.  Bigger and better.  And they always want more.  More drugs, more food, more money.  America is a mouth that can never be fed enough.”  Ramon laughed at that.  He pointed out the window.  “Just like our friend out there.  Pilar, you should see those things eat on a corpse.  They’re like dogs.  They’ll eat until their bellies burst open, and then they’ll keep on eating.  They can never eat enough.  Just like our friends north of the border.”

She finally turned away from the horror show on the other side of the glass.  Ramon was smiling at her, his hands in his pockets, black hair shiny in the low light from the lamp on his desk.

“Since when are you a philosopher?” she said.

“It’s not philosophy to give the people what they want, Pilar.  That’s marketing.”

“So, what is this thing you’re marketing?  A virus of some sort?”

“No, better.  A flesh-eating bacteria.”

“You’re joking?”

“Ask him,” Ramon said, pointing at the window.  “He can tell you I’m not.  This bacterium is a mutated form of Clostridium perfringens, which is pretty common.  It’s used as the main ingredient in self-rising breads, for example.  In fact, I’m told it’s common enough as a cause of food poisoning that most people produce an antibody against it.  But it can get really nasty if it gets a hold of you.  Even the common variety can cause fatal infections, if left untreated.  And it’s what causes gas gangrene in dead bodies.  You can’t tell from here, but our friend in there is probably smelling pretty ripe right about now.”


“It gets better.  Like I said, we’ve caused it to mutate.  What we’ve got going on in there is strain of C. perfringens that’s been genetically crossbred with Lactobacillus rhamnosus.”

“Lactobacillus?  That’s the stuff in yoghurt.”

“That’s right.  Very good.”

“I’m surprised you’ve heard of it, though.”

“I just read the pamphlets, Pilar.”

“So how does it work?”

“Well, apparently it has the ability to influence the neurotransmitters that regulate our physiological and psychological brain functions.”

“And that causes this?”

“We hadn’t planned on that.  All I wanted was something that could piggy back off of a food supply and cause as brutal a death as possible.  I wanted impact.”

She looked once again at the zombie still beating on the glass.  “Well, that’s certainly impact.”

“It’s the monster America deserves.”

“So tell me, what exactly are you planning on doing with this monstrosity you’ve made?”

“Oh, Pilar, you’re disappointing me.  You haven’t figured it out yet?  You brought me the perfect opportunity when you got Senator Sutton’s schedule.”

She frowned at him.

“You wouldn’t seriously consider releasing this thing on a city, would you?”

“No, of course not.  We couldn’t control what would happen in a situation like that.  If it wasn’t contained early enough, we might very well end with something right out of The Walking Dead.”

“You watch that show?”

“It’s become interesting to me lately.”

She nodded.

“Besides, releasing this on one of the Senator’s scheduled events would probably miss her.  There’s no way to ensure that she’d eat from whatever food we decided to piggy back the bacteria on, which is probably going to be cold cuts or bread, something like that.”

“Then how…?”

“What we needed was an enclosed environment,” Ramon said.  “We needed somewhere that was isolated and completely enclosed for several days at a time.  That way, we could be certain we got to her.”

She frowned at that.  Where did he honestly expect to find circumstances like that?

And then it hit her.

“The cruise she’s taking.  You’re going to release this on a cruise ship.”


It was brilliant.  She could see that.  She could picture it, a cruise ship gliding into the docks at Cozumel with thousands aboard.  The psychological impact of that would be catastrophic, and Ramon Medina would come out on top.  He’d be the king.  No other cartel could touch him, they’d be too afraid to.  The Americans would be the same story.  They’d be too afraid he’d release his little bag of horrors on one of their cities.

“You realize they’ll vilify you worse than they did Bin Laden, don’t you?” she said.


“They will.  No question about it.”

“Let them.  As long as they fear me, they’ll have enough sense to stay away.”

She shook her head.  “God, I hope you know what you’re doing.”

“I do, Pilar.  I know exactly what I’m doing.  But I need your help.”

“Me?  What can I do?”

“I need someone onboard that ship.”

She laughed out loud.  “Yeah, right.”

“Pilar, I need someone on that ship to make sure the plan goes like it’s supposed to.  I need to know that the Senator is dead.”

“But, what about…?”  She gestured toward the zombie on the other side of the glass.

“You’ll have all the information you’ll need to stay safe.”

“Her cruise is in two weeks.  You expect me to master everything there is to know about this bacteria of yours in two weeks?”

“I didn’t send you to Harvard for nothing.”

She didn’t know what to say to that.  Pilar stared at the zombie and tried to fathom what was going on behind those dead eyes.  The ghost of her own reflection stared back at her, much as it had done from the airplane’s window, and she found herself happy, for now at least, for the walls she’d built up over the years.

“Pilar?” he said.  “Please do this for me.  I wouldn’t trust anybody else.”

Damn him, she thought.  The bastard had to make it personal.  He really knew how to get to her.  She’d never been able to tell him no.

She closed her eyes.

“Fine,” she said.  “I guess I’m your girl.”


To continue reading The Savage Dead by Joe McKinney,
buy it now on Amazon:


©Joe McKinney. All rights reserved.

Interview with Author Armand Rosamilia


Author Armand Rosamilia


Bec: Armand, welcome to my blog once again! It’s been awhile since I’ve last shared you with the world. For those that don’t know you, please tell us a little bit about yourself –

Armand: No. I am a very private person. Actually, I’m a New Jersey boy currently living in Florida. I write full-time and feel blessed I can pay the bills doing what I love doing. I just got engaged to the perfect woman and can’t wait to be married to her. She supports me and allows me to write and not worry too much about the business side of my career. I like M&M’s, no walks on the beach and air conditioning.

Bec: Tell us about your book/s –

Armand: The latest is Dying Days 4, the next part in my extreme zombie series. The zombies have begun to evolve and now they’re starting to think and outmaneuver the survivors. I think it is one of my best stories, and I’ve written a few so far.

Dying Days 4 Cover

Bec: Not too long ago we were both involved in a charity book (The Carnival 13), how did you come up with your twisted contribution to that book?

Armand: It was easy once I read the nine chapters that came before me. The story flowed, but I had to add a few of my own twists in there to make the chapter ‘mine’ like having a midget involved. It just seemed like it fit.

Bec: Why zombies? Why not space-alien-cyber-sluts or underground-slime-worms or even dirty-shaved-werewolves?

Armand: Those are all for the next book. Zombies are fascinating to me, but I wanted to write all facets of horror. When the Dying Days series took off I felt I had to keep telling the story, but I am trying to expand into other areas of horror.

Bec: What is one thing about your books that fairly screams they were written by you? What’s your signature trait?

Armand: People point out my usage of women in thongs in the Dying Days series. I can’t help it. I have female characters who still need to wear clothing. And undies.

Bec: If you could have a pet zombie, what would it look like (yes, we want details)? What would its name be?

Armand: I hate pets. I am not an animal person at all. But if I had to have one it would be Mark Tufo. Scraggly beard and Red Sox hat and all the rest. It would grunt with a Bahston accent, too.

Bec: If all horrors came to life and you were in one hell of a situation, what would you rather accidentally ingest? Feces or bloody-puss-snot?

Armand: Both options seem so tasty. Can I mix the two and get the best of both worlds?

Bec: Did you gag on the last question, thinking about either of those things flying into your mouth and sliding down your throat?

Armand: I had coffee in my mouth. So I owe you a smack on your ass when we meet.

Bec: What should we be watching for from you in the future? Don’t you have a movie made (or being made) based on one of your books/stories?

Armand: I have a movie made based on a treatment I wrote. It is filmed and being put together, and I’ll go back and write the adaptation for it this summer. I’m working with a Hollywood company and writing stories to be made into movies in the future, but you never know what will happen. I also had an option taken on my Keyport Cthulhu book, so I’m hopeful it will be made at some point.

Bec: Using six words, and only six words, what would your advice be to new writers (yes, you must use a total of exactly six words)?

Armand: I make millions writing because I

Bec: What pisses you off the most about the writing community?

Armand: The sense we are all in competition with one another. As if a reader only reads one book a year. The recently finished Summer of Zombie Blog Tour 2014 proved it wrong. 32 zombie authors selling their books and finding new readers.

Bec: What do you like best about the writing community?

Armand: When you meet the cool people like Joe McKinney, Mark Tufo, Robert Chazz Chute, you… the people who will help and give advice to other authors. Promote them with something as simple as a retweet or doing interviews like this. We’re all in this together, not as enemies.

Bec: What was the worst response you’ve gotten from someone when you’ve told them you’re a horror writer?

Armand: I once told a woman at a party I was an author. She was very interested until I said they were horror and zombie books. She turned to her husband and mumbled ‘disgusting’ and walked away. He stayed and got a bookmark from me, though.

Bec: What was the best response you’ve gotten from someone when you’ve told them you’re a horror writer?

Armand: They went right out and bought a couple of my books and then sent me an e-mail telling me they loved them. And to this day continue to buy my books and love them.

Bec: Tell us about your Authors Supporting Our Troops project, and how someone can get a hold of you if they want to contribute –

Armand: I’m collecting author-signed books (not used books or books from another author and not ebooks, videogames, audiobooks, toothpaste, etc.) that I send overseas to remote areas like Kuwait and Afghanistan. Directly to a soldier, who takes the 100+ books and passes them out to his unit. In the first 4 months of 2014 I collected 2,500 books, and more trickle in each week. I haven’t officially stopped taking books. It will take off again starting January 1st 2015 and I hope to make this a yearly event.


Bec: Tell us about the Summer (& Winter) Zombie Tours you pretty much run?

Armand: Summer of Zombie started 3 years ago when I realized June was the worst month for sales. I originally wanted to do a simple blog tour on my own, but after talking to Mark Tufo, I saw the potential for teaming up. It has grown each year and I’ve gotten some familiar faces as well as new faces (to me) involved. The Winter of Zombie will be in November again but only be six authors. Next June I’ll probably go nuts and have 40+ authors involved. It is a lot of work for me but I hope authors and readers appreciate it, and connect.

Bec: Is there anything I haven’t asked you about that you would like to share with us?

Armand: The obvious question everyone should ask me… why am I so damn sexy?

Bec: Thanks for stopping by and sharing your brand of sickness with us! Best wishes with your books and future projects.

Armand’s Bio: Armand Rosamilia is a New Jersey boy currently living in sunny Florida, where he writes when he’s not watching the Boston Red Sox and listening to Heavy Metal music… and because of him they won the 2013 World Series, so he’s pretty good at watching!

He’s written over 100 stories that are currently available, including a few different series:

“Dying Days” extreme zombie series
“Keyport Cthulhu” horror series
“Flagler Beach Fiction Series” contemporary fiction
“Metal Queens” non-fiction music series

He also loves to talk in third person… because he’s really that cool. He’s a proud Active member of HWA as well.

You can find him at http://armandrosamilia.com for not only his latest releases but interviews and guest posts with other authors he likes!

And e-mail him to talk about zombies, baseball and Metal:


Armand’s Blog: http://armandrosamilia.com

Armand’s Books: Dying Days 4:  http://www.amazon.com/Dying-Days-4-Armand-Rosamilia-ebook/dp/B00L5LCBMI/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1403659082&sr=1-1&keywords=dying+days+4#

All of my books on Amazon: http://www.amazon.com/-/e/B004S48J6G


 @Rebecca Besser & Armand Rosamilia, 2014. All rights reserved.

A Bit Political – Interview with Author Harold Thomas


Author Harold Thomas
Author Harold Thomas


Bec: Thanks for stopping by my blog and sharing with us today! And Happy Independence Day! Harold, please start by telling us all a little bit about yourself:

Harold: I have had a lifelong passion for politics. I still remember sitting in front of the television Election Night – at the age of six — to see whether President Eisenhower was going to be re-elected. I’m not sure why I was for either candidate at such a tender age.  My mother has always loved history and told me lots of stories about the Founding Fathers and other historical figures when I was a child. As I grew older, my interest in politics mystified my family – no one before me was ever politically involved, except to vote. I see politics as a practical way to apply historical knowledge.

I graduated from Ohio Northern University with a major in political science, and actually had a few jobs in my major, including four years working for a county political party and helping to run a statewide judicial campaign. I also volunteered to help candidates and ran twice for local offices. However, I also learned programming for personal computers and landed a job with the State of Ohio, which started 22 years away from politics. Those 22 years gave me a perspective that people cannot get when they are in the trenches every day. I retired from the state last August.

Bec: Tell us about your website and your coaching program:

Harold: Andrew Jackson said, “Eternal vigilance by the people is the price of liberty.” The Founders made it clear that our system could not work without active participation by ordinary people. When we leave everything to professional politicians, we lose control of our government. Every citizen should be involved in at least one issue at the local, school district, state, or national level.

Bec: What do you think would happen if EVERY U.S. citizen did something small, say, once a month toward their political goals and beliefs?

Harold: We would discover that our elected officials become more accountable to us, and less to their campaign donors. We would see our politicians work to solve real problems, in place of crises manufactured for partisan gain.

Bec: If you could change one thing in the political climate in the U.S., what would it be and why?

Harold: I would like to see us develop into a multiparty system, so that voters could more closely identify with a party’s philosophy and more enthusiastically support its candidates. This would not have to be chaotic – even 4-6 parties would be an improvement – just enough to deny one party a majority of the state legislature or Congress for any length of time. Nonpartisan elections sound like a good idea in theory, but I think it is human nature to back a faction.

Bec: How will you be spending the Independence Day holiday?

Harold: My wife and I will probably spend it quietly at home. Maybe watch a little more television than usual, or read a novel (I’m currently reading Dan Brown’s Digital Fortress).

Bec: Is there anything I haven’t asked you about that you would like to share?

Harold: You do not need a lot of time, money, or political influence to have an effect on the political system. You just need an issue you care about and the desire to use your talents to support a cause. My website abitpolitical.com provides a simple three-step process that will help you identify your issue and decide how the things you like to do can be put to work for your cause.

Get A Bit Political and make a difference!

Bec: Thank you again for taking time to share with us!

Please enjoy the article below that Harold has written and graciously shared with us:


The Founding Fathers Were Real People

By Harold Thomas

 In 1865, Constantino Brumidi painted “The Apotheosis of Washington” in the U.S. Capitol dome. The painting depicts George Washington rising to the heavens in glory, flanked by female figures representing Liberty and Victory. Surrounding them were thirteen maidens representing the original states. The word apotheosis literally means “raising a person to the rank of a god.”

Apotheosis of Washington
Apotheosis of Washington


This painting would have enraged George Washington. For him, leadership was a duty, not something to covet. In 1782, one of Washington’s officers, Col. Lewis Nicola, wrote him that the ineffectiveness of Congress during the war had demonstrated the ineffectiveness of republican government. In the colonel’s opinion, he should consider becoming a king.

Washington’s response was immediate. He read Col. Nicola’s letter, “with a mixture of great surprise and astonishment.” He continued, “[N]o occurrence in the course of the War, has given me more painful sensations than your information of there being such ideas existing in the Army as you have expressed, and I must view with abhorrence and reprehend with severity… You could not have found a person to whom your schemes are more disagreeable.”

Revolutionary War generals privately criticized Washington as a poor strategist. He came close to losing the war in his siege on British-held New York. His strength was in his ability to select and motivate talented officers by his personal example of integrity. That ability manifested itself again when, as President, he selected a cabinet consisting of the most talented men in the country, two of whom (Secretary of State Thomas Jefferson and Secretary of the Treasury Alexander Hamilton) held opposite political views.

Following the British surrender at Yorktown, Washington immediately surrendered his commission to the Continental Congress. Britain’s King George III asked the American painter Benjamin West what Washington would do after winning independence. West replied, “They say he will return to his farm.” “If he does that,” the incredulous monarch said, “he will be the greatest man in the world.”

James Madison records in his notes that Washington, who was president of the Constitutional Convention, made only one speech. Just before its signing, he rose to agree with a proposal that one Representative should represent 30,000 people, instead of 40,000.

When he completed his second term as President, he rejected entreaties to serve a third. There is an old legend, that when one man suggested he should become a king, he swore at the listener and declared that he “would rather be on his farm than emperor of the world!”

Washington had virtually no formal education. Unlike many of the Founders who were lawyers, merchants, or diplomats, his experience was with the relatively humble pursuits of farming, surveying, and serving in the military.

Several Founders owned slaves, but could not figure out how to free them. Patrick Henry had a short temper. Benjamin Franklin and Thomas Jefferson were notorious ladies’ men; and following his service as Secretary of the Treasury, Alexander Hamilton so mismanaged his law practice that he died a poor man. In short, the Founders were regular people, just like us.

Why, then, do we hold them in such high esteem? They totally committed themselves to a greater cause. They showed unusual courage in the face of British military power. They were not afraid to buck the crowd. At the beginning of the Revolution, only about three percent of Americans strongly favored independence. This speaks volumes about the Founders’ ability to persuade and lead others. Unlike most Americans today, they were self-employed. The advantage of self-employment was that they were free to take the time needed to achieve their objectives. However, carrying them out was an economic sacrifice.

On the other hand, modern Americans have one advantage they would have envied – instantaneous communication. All we really need to be more like the Founders is the courage to get “a bit political,” and work with others for a better society.


Have you enjoyed the interview and article?

Find out more about “A Bit Political” and Harold Thomas here:

Website (A Bit Political): www.abitpolitical.com

Twitter: www.twitter.com/abitpolitical

Facebook: www.facebook.com/abitpolitical


Also see my review for Harold’s Book, “Governing Ourselves”: http://varietyreviews.wordpress.com/2014/03/29/governing-ourselves-by-harold-d-thomas/


A Bit Political

©Harold Thomas, 2014. All rights reserved.

Summer of Zombie Interview with Author Jay Wilburn

Author Jay Wilburn
Author Jay Wilburn

Your name.

Jay Wilburn



What is your latest zombie release?

Zombies Believe In You



Quick description of it (no spoilers)

It is a collection of a few longer zombie pieces including novellas and a few lengthier short stories.



Something unique about it.

The pieces are a bit longer than typically found in a collection. Two of the stories tell of the same event from two entirely different perspectives making the same events mean very different things. A few of the stories are more distant from the “Z Day” apocalypse stories moving into the realms of fantasy and legend.



Links for people to purchase it.

June 15th is the date, so at Hazardous Press’s bookstore would be the perfect link to jump on it and a number of other great works http://www.hazardouspress.com/ … My zombie novel Loose Ends is available there along with some other great zombie anthologies and other unique works.



Your promo links.




Your short Bio.

Jay Wilburn quit teaching after sixteen years to care for the health needs of his younger son and to pursue full-time writing. He lives with his wife and two sons in the coastal swamps of South Carolina. His novels Loose Ends and Time Eaters are available now. He has zombie pieces in the forthcoming Fat Zombie with Permuted Press, Best Horror of the Year volume 5 with editor Ellen Datlow and in More Recent Dead with Prime Books. Follow his many dark thoughts at JayWilburn.com and @AmongTheZombies on Twitter.


Summer of Zombie 2014 Blog Tour


The stench of rotting flesh is in the air! Welcome to the Summer of Zombie Blog Tour 2014, with 33 of the best zombie authors spreading the disease in the month of June.


Stop by the event page on Facebook so you don’t miss an interview, guest post or teaser… and pick up some great swag as well! Giveaways galore from most of the authors as well as interaction with them! #SummerZombie




@Armand Rosamilia & Jay Wilburn, 2014. All rights reserved.


Interview with Author Murphy Edwards

Bec: Welcome to my blog, please start out by sharing a little bit about yourself –

Murph: I’m from a small town in Southern Indiana, a lover of dogs, books, firearms, knives, Indian cusine and people with bold, bombastic attitudes. I was the drummer for Sidecar Prophets, Dante’, OFB, the Mystic Prisoners and a long string of bar bands. Over the years I’ve worked as a delivery driver, farmer, foundry worker, X-ray technician, carpenter, bar tender, busker, weapons inspector and a ton of Joe jobs.

Bec: What first got you interested in writing?

Murph: Three things. First and foremost would be my oldest brother. From an early age he was engrossed in literature. He would often read entire books in one sitting. On my thirteenth birthday he gave me a boxed set of “Lord of The Rings” and began feeding me the classics like “Catcher in the Rye”, “David Copperfield”, “Sherlock Holmes”, Poe and H.P. Lovecraft. Sadly. I lost him to cancer eleven years ago and I’m still struggling to come to grips with that. The second major influence comes from both my brother and my grandfather. Being of Irish descent comes with a few advantages, one of which is the beautiful and often brutal skills they both had for telling a story. They could sit at a table or gather around a campfire and weave a tale out of thin air that would have you hanging on every word. The stories always involved quirky characters or oddball locales that pulled you into the story. Some of it was fact, some of it was fiction, but all of it was entertaining. With each telling, the stories would take on something new—an additional character, a new twist, a different ending—anything to keep it fresh. I think my good fortune of being exposed to this over the years got me interested in seeking out unusual people and places for my own stories and then finding unique ways to tell them. The third significant influence was Ms. Nancy Hamilton, my high school English Literature teacher. She was a stickler for accuracy in all things writing—not just the basics like punctuation, spelling and grammar, but theme, substance, voice and detail. She always told me: “If you choose to write fiction, write it BIG.”

Bec: What are the worst struggles you think writers face, writing and marketing?

Murph: I think many writers, including me, have struggled with rejection. When I first began submitting to editors, publishers and agents I quickly became disheartened by the responses I received. I had prepared myself for negative responses, so that wasn’t really an issue. What I found discouraging were the number of “form letter” replies which provided no detail into why the submissions were being rejected. All writers crave input, even when it comes in the form of criticism. Sadly, like most authors, I’ve also received a few very unprofessional rejections which bordered on a personal attack. Eventually, you learn to filter those out. On the flip side of the coin, are the editors and publishers who take time to provide you with extraordinarily professional and precise input to your work. They usually center around weak points in the story, rough transitions or lack of detail. These are the ones I focus on because they give valuable insight into ways of strengthening my work.

With marketing, I think most authors tend to find themselves in a constant state of playing “catch-up.” With the advent of social media and the ever changing world of electronic publishing, an author can quickly become discouraged and feel like they are not making much headway. I think it’s something we all have to deal with, but not to the point of becoming overwhelmed. Several things work for me to help me remain focused. First, I am learning to think more like a publisher. How do they market? How do they promote? How do they reach consumers? Once I’ve done that, I put an “Indie” spin on it by realizing I have as much, or more skin in the game simply by having my name on a given project. From there, it becomes: How do I market? How do I promote? How do I reach consumers? And finally, as an author, I realized I had to seek out and research trusted information on marketing, social media, platform development, promotion and valid support groups. To avoid being overwhelmed I decided to divide all of this into manageable chunks that could be easily developed and added to my marketing plan a step at a time. It’s a long process and each author tackles it in a different way. The important thing is to not give up.

Bec: Tell us about your book/s –

Murph: I have been fortunate enough to be featured in all three of the Dead Bait series of books alongside such greats as Tim Curran and Ramsey Campbell. Dead Bait included my story “Noodlers”, DB2 included my story “Heavy Weather” and Dead Bait 3 features the crime / horror smash-up “Sinkers”. The series is published by Severed Press and they do some outstanding work. Coming out later this year will be my first release of an eBook, titled Deadly Detours. It will feature seven of my short stories of crime, horror and debauchery. As Editor, I have been extremely pleased with the response to Indiana Crime 2012, which I co-edited with friend and fellow writer James Ward Kirk.

Bec: Are you working on a sequel/s?

Murph: There are plans for another book in the Dead Bait series and the editors at Severed Press has approached me to write a full length novel centered around the briney deep. There are also plans for Indiana Crime 2013 and James Ward Kirk and I hope to open for submissions in early 2013.

Bec: What other projects are you working on or involved with?

Murph: Perhaps the one I’m most proud of to date is Indiana Crime 2012, which I co-edited with James Ward Kirk. I pitched the idea to James shortly after he accepted my story “Bumper Music “ for his anthology Indiana Horror 2011 and he was very enthusiastic. He followed up with an e-Mail and after ironing out some details he asked if I would like to edit the book with him. We worked through a massive amount of responses and ended up with Indiana Crime 2012, which is full of short fiction, poetry, artwork and photos all centered around Indiana Crimes and Indiana authors. I’m very proud of the finished work and we plan to do another for 2013. Amazingly, James and I never met in person until long after the finished book went to print. We did everything electronically and it just clicked. James is also working on some projects for Static Movement and my stories will be featured in two of those volumes, “Ace of Spades” will be included in Graverobbers and “Identity Theft” will be in Serial Killers 2. My short story collection Deadly Detours has just passed muster with my editor and is scheduled for release through Amazon Kindle in November. My short story “Devices” is set to appear in Indiana Science Fiction 2012 and Early 2013 will see another of my short story collections published through Amazon Kindle. I plan to follow that up with my recently completed novella “Pain” and a full-length novel which is nearing completion.
I will also be working with fellow writer and editor, Elisha Murphy on her Halloween anthology, tentatively titled Haunted Highways. If all goes as planned, it will be opening for submissions around March 2013 and released in paperback in September 2013. This will be a collection of all things horror, including fiction, poetry, art, photos, the works. Elisha has some awesome ideas for this collection, including stunning cover art, some old school lithographs, modern art, photography, poetry and a boat load of opportunities for both new and experienced authors to strut their stuff.

Bec: What’s your favorite color?

Murph: Black and Blue, baby. Black and Blue.

Bec: Do you like to listen to music while you write or have complete silence?

Murph: Music. As a drummer I’ve always loved music. I’m a big Prog fan, so if you throw on a little Spock’s Beard, Porcupine Tree, Yes, Tool, Marillion Coheed and Cambria or Dream Theatre, I’m down with it. Also got my stand-by’s like Foo Fighters, Led Zepplin, Rammstein, Bad Company, Iron Maiden, Motorhead and Whitesnake just to keep the old feet tapping. If I’m writing in flow, the music helps keep me pumped. When editing difficult sections I have to have minimum distractions and complete silence.

Bec: Walking or riding a bike?

Murph: Walking. It gives me a chance to think, which in turn helps me develop characters, scenes, plots and those dark and deadly details. I know they say once you learn to ride a bike you’ll never forget, but I don’t want to take that chance. And nobody wants to clean a mess like that up!

Bec: What genres do you most like to read/write?

Murph: Reading, it has to be crime, noir, horror and pulp fiction in all of its forms, although I also dig a good western and the odd sci-fi when well written.

Writing, it’s pretty much the same. I love mixing genres in my writing. I’ll usually have elements of crime/horror/ and noir all in the same piece. I have written everything from westerns to romance, but my pen always seems to swerve over to the dark side of fiction.

Bec: What’s your favorite type of bird?

Murph: Gotta be the hummingbird. They fascinate me simply from the “mechanics of flight” perspective. I mean, your eyes are taking it all in, but your brain is saying “There’s no way a bird should be doing that.” I’ve seen them fly up-side-down, backwards, sideways and those incredible wings never stop buzzing. There’s a lesson to be learned there—even when you’re in a crash dive, keep on flapping those wings.

Bec: Do you find writing a lonely profession?

Murph: I do. Fortunately, I have all these bizarre characters in my head to keep me company. Seriously, though, I think as a writer you quickly learn to become your own best friend. Once you enjoy yourself and become comfortable in your writing skin, you can seek out others you can trust and rely on.

Bec: Water or soda?

Murph: Water. I worked in a soda bottling plant when I was young and I gotta say, I despise the stuff.

Bec: What would you share with a beginning writer?

Murph: Believe in yourself, read as much as you write and never, ever give up. There will be times when it feels as if you are moving backwards and nothing is going your way. Ride it out. It will get better. And always seek out other writers. Talk to them, ask questions, seek wise counsel because most will give it freely. When you have achieved any level of success, no matter how small, take time to thank those who helped you get there. Above all, pay it forward. You will be repaid sevenfold.

Bec: What was your most memorable birthday? Why?

Murph: The one I’m celebrating this October 31st, cause it means I’m still alive and still writing.

Bec: What do you wish someone would have told you when you first started your writing journey?

Murph: To always make time in your life for your passion, be it writing, music, painting, gardening, auto mechanics, or bowling, you owe it to yourself to pursue it with all the gusto you can muster. Take risks, be bold, seek out mentors and follow your dreams, even when everyone around you tries to discourage you. Don’t ever look back and say ‘what if’ or ‘if only’.

Bec: What’s your favorite number?

Murph: .357—cause there’s just something about a magnum.

Bec: Do you think having other writers as friend is a good thing for your growth as a writer?

Murph: Absolutely. I find creative people in general to be very supportive, and writers especially so. The vast majority of writers I’ve encountered have given me awesome support, often in unbelievable ways. Writers carry a spirit of generosity that I seldom encounter anywhere else in my life. This has helped me grow and take chances I might not otherwise have taken.

Bec: What’s your favorite book? Why?

Murph: This is always a tough one because I enjoy so many. I’ll try to narrow it down to a few, knowing I’ll be forgetting someone. Anything by Ken Bruen, but especially “Once Were Cops” anything by Elmore Leonard, Ray Banks’, “Saturday’s Child” and Brian Keene’s “Ghoul” are all top of the list, followed closely by all of Raymond Chandler and Robert B. Parker’s Spenser series. All of them have several things in common which draw me in as a reader: The techniques they use for dialog, scene, atmosphere, language and tension are what entertain me as a reader and inspire me as a writer.

Bec: Who’s your favorite author? Why?

Murph: Another toughie. Again, I have to say, I’m drawn to several. Ken Bruen, for his excellent crime voice and the Irish atmosphere, Ray Banks, Anthony Neil Smith, Seth Harwood and Victor Gischler for their down-in-the dirt crime writing, Elmore Leonard, Robert B. Parker and Raymond Chandler for outstanding and quick witted dialog, Brian Keene, cause, hell he’s Brian Keene! And I’m way into Jeff Somers and his Electric Church series. Jeff mixes the sci-fi, crime and horror genres seamlessly. On a more local front, I love the work being produced by Paula D. Ashe, Matt Cowin, David Bain, James Ward Kirk, Marianne Halbert, Paul DeThroe, Todd Card, Jeffrey Ashby and David Scott Pointer.

Bec: Is there anything you would like to share that I haven’t asked you about?

Murph: Yes, I had an interesting writing experience that I think would benefit a lot of writers. This one, again started out as just a quick idea batted around on e-Mails and coincidentally, also involved my friend James Ward Kirk. One of us, I forget which one, asked the question: Have you ever thought of writing a story together? We decided to toss it out there and see what would happen. James fired the opening salvo with a first paragraph which was e-Mailed to me. I then added the second paragraph and fired it back. We followed this method all the way through till the end. The only rule we established was that there were no rules. Neither of us knew where the other would wind up taking the story. We decided to call it a ‘deadly duo’ and it soon turned into ‘writer’s roulette’. We didn’t even consider editing, changing or altering anything till the story was through the first draft. We had a ball. The resulting story, “Me and Sister Mercy” was shopped out and eventually picked up by Criminal Class Review. They will be publishing it in the next volume of their excellent journal. The piece has elements of crime, horror, sci-fi and hardboiled fiction. I encourage others to try their hand at this. It’s a challenge, but quite rewarding as both a writing and learning tool.

The only other thing I can think of to share it this: “Never insult seven men when all you’re packin’ is a sixgun!”

Bec: Thank you for stopping by and sharing! Best of luck with your book and future project!

Murph: The pleasure was all mine, dear lady. I’ll have you over to the Murphy Edwards Dungeon real soon.

About Murphy Edwards:

Murphy Edwards is the award winning author of “Serious Money”, “Bumper Music”, “Heavy Weather”, “Noodlers”, and “The Last Days of Maxwell Sweet”. His work has appeared in Dimensions Magazine, The East Side Edition, Black October, Horizons, MidAtlantic Monthly, Modern Drummer, The Nor’Easter, Walking Bones,Escaping Elsewhere, Trail of Indiscretion, Hardboiled Magazine, Barbaric Yawp, Samsara, The Magazine of Suffering, The Nocturnal Lyric, Night Chills, Big Pulp Magazine, Criminal Class Review and in the anthologies Dead Bait (Severed Press), Assassin’s Canon (Utility Fog Press), Abaculus II (Leucrota Press), Night Terrors (Blood Bound Books), Unspeakable (Blood Bound Books), Bloody Carnival (Pill Hill Press), Dead Bait II (Severed Press), Indiana Horror 2011, Indiana Horror 2012 (Indiana Horror Writer’s Association), Dead Bait III (Severed Press), Grave Robbers (Static Movement), Serial Killers 2 (Static Movement) andIndiana Science Fiction 2012 . His short story, “Mister Checkers”, was chosen to be among the best in science fiction, fantasy and horror of 2009 for the Leucrota Press Anthology, Abaculus III. Edwards is a 2011 recipient of The Midwest Writers Workshop Writers Retreat Fellowship Award for Fiction and is the Co-Editor ofIndiana Crime 2012. In addition to the United States, Edwards has been published in Ireland, Australia, South Africa, and the U.K. He resides in Indiana and on the web at:




©Rebecca Besser & Murphy Edwards, 2012. All rights reserved.

Interview with Author Tonia Brown

Bec: Welcome to my blog, please start out by sharing a little bit about yourself –

I’m happily married southern gal who was raised in the military thanks to having a dad in the Air Force. I prefer cats to dogs, ribs to steak, and chocolate to vanilla. I’m also an identical twin. And I can tie a cherry stem into a knot with my tongue. True story.

Bec: What first got you interested in writing?

I’ve always written something, be it poetry or fan fiction. I’ve also always been an avid reader. Once upon a time, I found myself at the mercy of a long series and seven books in it dawned on me that they were all the same book, over and over. Boring! I told my husband I could write better crap than that. So he said, “Do it.” And I did.

Bec: What are the worst struggles you think writers face, writing and marketing?

Writing is the easiest part. Editing is like tearing out your heart and pouring salt into the wound. Reading some reviews are like smoking a J and relaxing on the awesome high, while others are like running a grater over your bare ass. And marketing? Geesh, marketing is the equivalent of pouring all of your money into the toilet and flushing it, hoping that some of it might float back up to the top latched onto some important shit.

Bec: Tell us about your book/s –

SKIN TRADE is a weird west horror set in an alternate late 1800’s in the US. A virus took down the Indian Nations and cause a zombie uprising that destroyed the western frontier. Now folks are crowded on the east coast and the US Army has erected a barrier to keep the zombies in the western half of the nation. The story follows fifteen-year-old Samantha Martin as she makes her way toward the border trying to escape the dangers of her own life. Once in the border zone she is thrust into the service of the skin trade: the job of trapping and skinning zombies for profit. Only trouble is, they think she’s a boy, and she’s going to have a hard time keeping that secret in the wilds of the forbidden west!

Bec: Are you working on a sequel/s?

I have a few companion novels and sequels in the long scheme of things.

Bec: What other projects are you working on or involved with?

I am finishing up another novel, this one is a backwoods southern horror. And no, it’s not what you’re thinking. Think less along the lines of Deliverance and more along the lines of Lovecraft. And as always, I’m constantly working on my web serial Railroad! which just had it’s one year anniversary. But mentioning that is kind of like saying, “Oh and I’m still breathing.”

Bec: What’s your favorite color?

I am partial to green, but only because it’s my husband’s fave. I don’t really have one, but I do like paisley. Anything paisley and I am on it. Or rather, it’s on me! Mmmmm, paisley.

Bec: Do you like to listen to music while you write or have complete silence?

I need noise. Be it a cult film, a coffee house or the radio, I can’t write in total silence. I can’t sleep in total silence either. Silence makes a noise I can’t stand.

Bec: How much skin do you show in the book?

What an odd question considering the title of the book! This one has no sex whatsoever. There are some sexual situations, but I can’t say what I mean without ruining the storyline.

Bec: What genres do you most like to read/write?

I like to read pretty much anything, but am a huge fan of scifi and humor. I love to write humor and horror, preferably together!

Bec: What’s your fav scene from the book?

I think describing the traps and the act of skinning. My friend, Drew Mellon, is a master of the art of trapping and skinning animals, and he helped me with the gritty details and necessities. Plus, he never flinched when I asked for advice on how to trap and skin a human being. In fact, he pretty much laid it all out for me.

Bec: Do you find writing a lonely profession?

Yes and no. There is such a huge community to lean on, but at the same time it’s just you and the page.

Bec: Cake or pie?

Pie. No! Cake. No! Pie! Wait… can’t I have both? Pweeeeease?

Bec: What would you share with a beginning writer?

Find a good editor and do whatever they tell you to. They know what they preach. You are not the best, and it might take awhile before you are even close.

Bec: Aliens or demons?

Demons. No! Aliens! DEMONS! I hate choices! Wait, are you asking which I’d rather have as an Overlord? Because I’ll totally go with aliens. No, demons. CRAP!

Bec: What do you wish someone would have told you when you first started your writing journey?

Find a good editor and do whatever they tell you to. They know what they preach. You are not the best, and it might take awhile before you are even close.

Bec: Do you think having other writers as friend is a good thing for your growth as a writer?

Yes, I think other writers make good sounding boards and beta readers. They are also good for shoulders to cry on, because they understand rejection slips.

Bec: What’s your favorite book? Why?

American Gods, because I love how Gaiman captured the different personalities of the Gods while allowing them some room to grow with the times.

Bec: Who’s your favorite author? Why?

Neil Gaiman, because that man could transcribe the phone book and I would read it.

Bec: Is there anything you would like to share that I haven’t asked you about?

Did you know a pig’s orgasm can last for up to thirty minutes? True story.

Bec: Thank you for stopping by and sharing! Best of luck with your book and future project!

Thanks for having me. Hope I didn’t track mud on the carpet. Have you seen my keys? Oh, there they are. Bye now!


©Rebecca Besser & Tonia Brown, 2012. All rights reserved.

Interview with Author Armand Rosamilia

Bec: Welcome to my blog, please start out by sharing a little bit about yourself –

I’m six foot tall, nearly three hundred pounds of molten sex appeal, and never met an M&M I didn’t eat. Oh, and I write stories.

Bec: What first got you interested in writing?

Reading. My mother was a voracious horror paperback reader in the 70’s and 80’s and I’d be on my parent’s bed, pulling books from her massive bookshelves, all summer long. I was also punished for being so bad, so that helped as well.

Bec: What are the worst struggles you think writers face, writing and marketing?

Breaking away from the pack. I write (generally) in a small niche subgenre of horror, zombie. Yet, search Amazon for zombie books and thousands pop up. The struggle is getting readers (the hardcore zombie readers and the casual zombie reader) to see your book in that list of page after page. I’m trying anything and seeing what works and doesn’t work, and word of mouth and good reviews are helping me build a readership one person at a time.

Bec: Tell us about your book/s –

I have over 40 releases so far, and plan on adding as many as I can before the world ends in December. My Dying Days 2 is my latest zombie novella, and I’m very proud of it. It continues the survival of Darlene Bobich, but also introduces some new characters that readers are enjoying. The challenge is to keep it fresh, and I’ve added some twists, some real characters, and some other surprises, and hope people will keep reading them.

Bec: Are you working on a sequel/s?

As we speak. Still Dying: Select Scenes From Dying Days focuses on several new characters from Dying Days 2 in prequel stories, as well as a few new ones. It will be 13 stories in all, showcasing 13 very different people. I’ll also be doing Dying Days: Origins featuring Tosha Shorb, one of the characters from Dying Days 2 that readers absolutely loved.

Bec: What other projects are you working on or involved with?

Look for Undead Tales 2 zombie anthology in the next week or so. I’m also a publisher (Rymfire Books) and have several releases coming, like continuing the State of Horror series (eight books out so far!), and releasing my first novella from another author, the great Slash of Crimson from Carl R. Moore, coming out soon.

Bec: If the Zpoc happened in the middle of the night and you didn’t know about it ’til all your friends and family were dead (or zombified) what would your course of action be?

Not if, when. I have a machete in the garage I’d go get, then drive over to Walmart and grab every bag of M&M’s. I don’t think I’d be much of a survivor, too lazy, and I only eat certain things. I’d hope to overdose on candy before I get bitten.

Bec: What’s your favorite color?

Green. Yours?

Bec: Black, dark blue, or dark green.  I’m all about the dark colors.

Bec: If a genie was granting you three wishes… What would they be?

I guess you can’t ask for more wishes (I played Dungeons & Dragons as a kid, I know that rule). I’d ask to be comfortable financially as a writer (not super-rich, just rich enough to not worry about things), that my kids would be happy and live a long and comfortable life, and always have comfortable shoes.

Bec: Do you like to listen to music while you write or have complete silence?

It depends on my mood and who’s home. I’m writing the Dying Days: Origins novella today, and the lead Tosha Shorb listens to metal band Lizzy Borden, so I’m blasting a ton of their songs while I write. I love heavy metal (I’m 42, lived and loved 80’s metal), and Bruce Springsteen (I’m a Jersey boy, gotta love Bruce and Bon Jovi).

Bec: Camo or retro?

Retro. I think. I’m too old for these snazzy terms you kids use (you do still use snazzy, right?)

Bec: What genres do you most like to read/write?

Horror. I’m not really into serial killer, tons of blood and gore books, I like a frightening story or a tale where you don’t know what’s wrong with the guy/gal but you know it’s something. I also read plenty of non-fiction, music biographies, thrillers, and love finding new indie authors.

Bec: What’s your dream car/vehicle for the Zpoc?

Something big enough to carry me, weapons, and enough candy to get me by. Maybe a big pickup truck like Kenny Powers from Eastbound & Down would drive. I’d then take a tour of the US and see the tourist sights I never wanted to pay for. Where’s that Giant Ball of Yarn, anyway?

Bec: Do you find writing a lonely profession?

Yes. But I enjoy the solitude. I literally haven’t been past my mailbox in over a week, and I don’t care. I’m most happy when I’m writing. There’s also the online people I talk to daily, my substitution for making real friends, I guess.

Bec: Ice cream or popcicle?

I will occasionally have a chocolate ice cream with chocolate syrup and hot fudge covering it. I mostly eat anything chocolate, but being almost 300 pounds has nothing to do with that.

Bec: What would you share with a beginning writer?

Start writing and don’t stop. Work on multiple projects at once and keep going. There’s no such thing as writer’s block, only distractions and being lazy.

Bec: Sand or trees?

That’s a weird question. I like it. I live in Florida but hate the beach, so sand is out. Trees don’t excite me too much, they just sit there. This is a wash.

Bec: What do you wish someone would have told you when you first started your writing journey?

That everything you do from the early 1990’s until 2 years ago won’t matter in the grand scheme of things. It will be 20 years to hone your craft, not sell much, but get your writing chops down enough that the eBook explosion will be your friend. And I wish someone had told me to eat in moderation.

Bec: Do you think having other writers as friend is a good thing for your growth as a writer?

A tremendous help. A week doesn’t go by that I talk on the phone with a new writer, eager to pick my brain, or a veteran who I can get into their head. I think we’re all in this together, and I’ve met so many great publishers, writers and bloggers along the way. It creates a community and keeps you honest.

Bec: What’s your favorite book? Why?

Phantoms by Dean Koontz as a kid scared me because it is so eerie in the beginning. It’s the one book that’s stayed with me. The Rising by Brian Keene got me into zombie writing, so that hold a special place as well.

Bec: Who’s your favorite author? Why?

All-time is still probably Koontz, although his formula got old as I got older. I love so many writers: Keene, John Everson, Douglas Clegg, Scott Nicholson, Richard Layman… the list goes on and on. Plus, there are so many indie writers that I keep discovering as well.

Bec: Is there anything you would like to share that I haven’t asked you about?

My eyes (my best feature) are hazel, but they change to more blue at times. Other than that… nah. Does anything else really matter?

Bec: Thank you for stopping by and sharing! Best of luck with your book and future projects!

Thank you! Great interview and I love reading your blog every post!

Armand Rosamilia


©Rebecca Besser & Armand Rosamilia, 2012. All rights reserved.